{"id":10770,"date":"2026-05-20T14:09:38","date_gmt":"2026-05-20T14:09:38","guid":{"rendered":"https:\/\/www.inspiredbybeatz.com\/electro-revival-how-justice-angele-and-benassi-are-reviving-the-charts\/"},"modified":"2026-05-29T22:43:32","modified_gmt":"2026-05-29T22:43:32","slug":"electro-revival-how-justice-angele-and-benassi-are-reviving-the-charts","status":"publish","type":"post","link":"https:\/\/www.inspiredbybeatz.com\/en\/electro-revival-how-justice-angele-and-benassi-are-reviving-the-charts\/","title":{"rendered":"Electro-Revival: How Justice, Ang\u00e8le, and Benassi Are Reviving the Charts"},"content":{"rendered":"<style>.postid-10015 .content > .content_inner > .container,.postid-10015 .content > .content_inner > .full_width{background-color:#000000;}<\/style>\n[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column][vc_column_text]\n<p style=\"font-size:0.78em;color:#75B2A9;text-transform:uppercase;letter-spacing:1.8px;font-weight:500;margin-bottom:18px;opacity:0.85;\">\u25b6 7:00 min read &middot;<\/p>\n<p><strong>A year ago I told friends: French Touch is dead, surviving only in Spotify playlists. I was wrong. Justice is back on arena tours, Ang\u00e8le has just dropped a Justice-produced pop track, Benny Benassi is slamming a distorted sawtooth bassline back into the charts, and bloghouse is suddenly what Gen Z wakes up to. This isn\u2019t coincidence-it\u2019s a cycle peaking right now. Six observations that explain the comeback, and the honest tech take on what\u2019s left in the studio.<\/strong><\/p>\n<div style=\"position:relative;margin:4px 0 24px;padding:24px 28px 20px;background:rgba(117,178,169,0.06);border-radius:12px;border:1px solid rgba(117,178,169,0.4);box-shadow:0 0 20px rgba(117,178,169,0.2), 0 0 40px rgba(117,178,169,0.1), inset 0 0 30px rgba(117,178,169,0.03);overflow:hidden;\">\n<h2 style=\"margin:0 0 16px 0;font-size:1.4em;color:#75B2A9;letter-spacing:1px;\">DROP<\/h2>\n<ul style=\"margin:0;padding:0 0 0 20px;list-style:none;\">\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">\u25b8<\/span><strong>Justice isn\u2019t back-they never really left:<\/strong> Hyperdrama 2024 and the current arena tour bring the duo back as big as the Cross era.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">\u25b8<\/span><strong>Ang\u00e8le\u2019s Justice single What You Want:<\/strong> Pop crossover drops 27 February 2026, written and produced by de Rosnay and Aug\u00e9 themselves.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">\u25b8<\/span><strong>Benassi and Shades:<\/strong> the distorted sawtooth sound from the Satisfaction era has officially been pulled from the archive and adapted to today\u2019s loudness chain.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">\u25b8<\/span><strong>Bloghouse generation on TikTok:<\/strong> Gen Z is discovering Ed Banger, Boys Noize and SebastiAn the way MP3 blogs discovered them in 2007.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">\u25b8<\/span><strong>Modular and software follow:<\/strong> Eurorack boom plus DAW updates for sidechain and saturation make the French-Touch sound reproducible in home studios.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">\u25b8<\/span><strong>Not every revival sticks:<\/strong> What\u2019s genuinely new about Justice and Ang\u00e8le, and where the second wave could stumble.<\/li>\n<\/ul>\n<\/div>\n[\/vc_column_text][\/vc_column][\/vc_row]\n<h2 style=\"line-height:1.5;margin:0 0 16px 0;font-size:1.4em;color:#fff;\">What defined the French Touch-and why it never really disappeared<\/h2>\n<p>If you\u2019re 22 now, Daft Punk might already be <em>Random Access Memories<\/em> rather than <em>Discovery<\/em>. To you, French Touch might just be a filter on a Spotify mood playlist cover. To me, it was the moment I realized a bassline could be an argument all on its own. Two building blocks: a heavily filtered house sample loop plus disco DNA, preferably topped with a talkbox vocal. That was France\u2019s answer to US house in the mid-90s, and it worked because the production prioritized sound over feature lists.<\/p>\n<p>The track never really vanished from the charts. What disappeared was visibility. Daft Punk\u2019s last concerts date back over a decade. Justice released only sporadically between 2011 and 2024. What\u2019s happened can be read as a double cycle: the usual 20-year nostalgia window plus the cultural backlash against a decade of sanitized big-room sound. When everything around you sounds like homogenized pop-house, the raw filtered loop becomes provocative again.<\/p>\n<p>That\u2019s exactly where the current comeback signals kick in. It\u2019s not about preserving an old sound. It\u2019s about bringing back an attitude that got lost along the way.<\/p>\n<h2 style=\"line-height:1.5;margin:0 0 16px 0;font-size:1.4em;color:#fff;\">Justice is back-and this time with pop connections<\/h2>\n<p><em>Hyperdrama<\/em> was the 2024 album nobody saw coming and many now consider the best Justice record since <em>Cross<\/em>. On that foundation, the duo is currently touring arenas across Europe and the US. The show is so visually expansive that the music behind it feels even more confident than it did during the audio-video-disco era. What\u2019s changed: Justice no longer produces exclusively for their own stage; they\u2019re opening the door to pop collaborations without diluting their signature sound.<\/p>\n<p>Proof is the single <em>What You Want<\/em> with Belgian singer Ang\u00e8le, released on 27 February 2026. Co-written and co-produced by Xavier de Rosnay and Gaspard Aug\u00e9. This isn\u2019t a \u201cJustice featuring pop singer\u201d credit-it\u2019s a genuine collaboration, and it reopens a door Daft Punk last pushed open with <em>Get Lucky<\/em> in 2013. The difference: Ang\u00e8le brings her own generation and her own language. French pop meets French electro without either side needing translation.<\/p>\n<p>For the trend, that means Justice isn\u2019t just a nostalgia act; they\u2019re building the bridge to mainstream radio that French Touch rarely managed before.<\/p>\n<h2 style=\"line-height:1.5;margin:0 0 16px 0;font-size:1.4em;color:#fff;\">Bloghouse nostalgia meets TikTok algorithms<\/h2>\n<p>Alongside the comeback of the big names, something smaller but equally important is happening: Gen Z is discovering bloghouse via TikTok. Ed Banger tracks from the late 2000s are suddenly popping up as sound bites under skate clips and fashion reels. Boys Noize, SebastiAn, Mr Oizo are getting a second youth without the artists lifting a finger. That\u2019s the flip side of algorithmic logic that once favored major-label releases: what goes viral, goes viral-whether it was made in 2008 or 2026.<\/p>\n<p>What makes this second wave different from the first: back then, bloghouse was a DIY niche phenomenon spun from MP3 blogs and hipster clubs in Brooklyn and Paris. Today it\u2019s a platform logic that distributes the same material to millions. Producers who hit the right sound can build reach without a label deal. That shifts the incentives. Instead of conforming to major-label templates, it\u2019s worth developing your own sonic signature again.<\/p>\n<h2 style=\"line-height:1.5;margin:0 0 16px 0;font-size:1.4em;color:#fff;\">What Benassi does with sawtooth bass<\/h2>\n<p>Benny Benassi-yes, the one behind <em>Satisfaction<\/em>-dropped a track called <em>Shades<\/em>, and with it, what could be called the official return of the sawtooth. The distorted, hard sawtooth bass was the defining element of late-2000s electro-house. For a decade it was banished from mainstream production, replaced by clean pluck synths and tropical-house vibes. <em>Shades<\/em> signals: the filter is back, and this time it\u2019s louder.<\/p>\n<p>Technically, it\u2019s an honest gesture. Sawtooth bass only works if the mastering chain lets it through. On a smartphone speaker, the distortion turns to blare. On a proper rig, it turns to energy. In other words: <em>Shades<\/em> and tracks that follow its lead reward listeners who have better playback chains. Once you\u2019ve heard what a hard bassline can do through decent active speakers, you won\u2019t pine for the pluck-synth phase again.<\/p>\n<h2 style=\"line-height:1.5;margin:0 0 16px 0;font-size:1.4em;color:#fff;\">Where technology is making the comeback possible<\/h2>\n<p>This second pillar of the revival isn\u2019t rooted in the studios of the big names, but in home studios. Three developments are converging. First: the modular-synth boom. Eurorack hasn\u2019t been a hobbyist niche for five years now; it\u2019s a genuine category with its own brand champions. If you want hardware filters and analog saturation, you can get them today more accessibly than ever before. That helps precisely the kind of sound that defines French touch: not just sample-based, but alive in its filter movement.<\/p>\n<p>Second: the DAW updates of the last two years. Ableton, Logic, and FL Studio have refined sidechain tools, saturation modules, and vintage algorithms so that the growl and pump of the 2000s no longer require hardware know-how. Third: AI-assisted mastering tools. If you need to bring a demo up to presentable loudness quickly, you now have tools that would have cost several thousand euros in software a decade ago. That dramatically lowers the barrier to producing a solid French-touch track.<\/p>\n<p>My take on this: the democratization of sound is great for breadth, dangerous for the quality peak. When every tutorial viewer can build a Justice clone, the genre will saturate faster than it did the first time. If you\u2019re jumping in now, think early about what your own signature should be.<\/p>\n<h2 style=\"line-height:1.5;margin:0 0 16px 0;font-size:1.4em;color:#fff;\">What you take away when you DJ or produce yourself<\/h2>\n<p>Three observations that, in my experience, make the difference between riding the trend and doing serious work on the sound:<\/p>\n<p><strong>First, listen to the old records honestly.<\/strong> Cross, Homework, Discovery, the Hyperdrama concept album. Not as background playlist, but as a study object. Where is the filter placed, when does it open, what happens to the bass on the drop? That\u2019s craftsmanship you can\u2019t outsource to a plug-in.<\/p>\n<p><strong>Second, invest in your playback chain.<\/strong> French-touch productions thrive on tiny detail decisions that vanish entirely on laptop speakers. A decent pair of headphones or a solid speaker set is the prerequisite for even hearing what you\u2019re doing.<\/p>\n<p><strong>Third, forget the algorithm for a while.<\/strong> What worked for Bloghouse back then was defiance. One track that sounds like someone beats ten tracks that sound like everyone. That hasn\u2019t changed in 2026-it\u2019s just easier to forget. If you want to be heard in this wave, decide early what you\u2019re not going to do.<\/p>\n<h2 style=\"line-height:1.5;margin:0 0 16px 0;font-size:1.4em;color:#fff;\">Tune in to the second wave<\/h2>\n<p>Four tracks that make the revival audible on a good sound system. Justice bridges the gap from hyperdrama sound to mainstream pop. Ang\u00e8le plus Justice shows where French pop and French touch intersect. Benassi delivers the buzz-saw bass that signals a generational shift. SebastiAn reminds us that the Ed Banger school never stopped delivering.<\/p>\n<div style=\"margin:24px 0;padding:18px 22px;background:rgba(117,178,169,0.04);border-radius:10px;border:1px solid rgba(117,178,169,0.2);\">\n<div style=\"display:flex;flex-direction:column;gap:6px;\"><a href=\"https:\/\/open.spotify.com\/artist\/1gR0gsQYfi6joyO1dlp76N\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">Justice &#038; Tame Impala: Neverender (Hyperdrama)<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">\u25b6 Spotify<\/span><\/a><a href=\"https:\/\/open.spotify.com\/artist\/3X458ddYA2YcVWuVIGGOYe\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">Ang\u00e8le &#038; Justice: What You Want<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">\u25b6 Spotify<\/span><\/a><a href=\"https:\/\/open.spotify.com\/artist\/4Ws2otunReOa6BbwxxpCt6\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">Benny Benassi: Shades<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">\u25b6 Spotify<\/span><\/a><a href=\"https:\/\/open.spotify.com\/artist\/0p4nmQO2msCgU4IF37Wi3j\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">SebastiAn: Embody<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">\u25b6 Spotify<\/span><\/a><\/div>\n<\/div>\n<div style=\"margin:36px 0 24px;padding:28px 30px 18px;background:rgba(117,178,169,0.05);border-radius:14px;border:1px solid rgba(117,178,169,0.35);box-shadow:0 0 20px rgba(117,178,169,0.2), 0 0 40px rgba(117,178,169,0.1), inset 0 0 30px rgba(117,178,169,0.03);\">\n<div style=\"margin-top:40px;padding:28px 25px 8px;background:rgba(117,178,169,0.06);border-radius:12px;border:1px solid rgba(117,178,169,0.4);box-shadow:0 0 20px rgba(117,178,169,0.2), 0 0 40px rgba(117,178,169,0.1), inset 0 0 30px rgba(117,178,169,0.03);\">\n<h2 style=\"margin:0 0 8px 0;font-size:1.3em;color:#75B2A9;letter-spacing:1px;\">Q&#038;A after the show<\/h2>\n<p style=\"margin:0 0 16px;font-size:0.85em;color:rgba(255,255,255,0.4);\">Click on a question to reveal the answer.<\/p>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\"><span>Isn\u2019t the revival just pure nostalgia?<\/span><\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">Partly, but not entirely. Hyperdrama and the Ang\u00e8le track are standalone works that push the sound forward. What feels nostalgic is the return of the sawtooth bass and the filter loops. What\u2019s new is the pop accessibility. Both run in parallel.<\/div>\n<\/details>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\"><span>Do I need hardware to produce French touch today?<\/span><\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">No. Modern DAWs ship with saturation, sidechain and filter modules close enough to hardware tones. Modular helps if you want to craft your own signature, but a pure software setup is all you need to get started.<\/div>\n<\/details>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\"><span>How long does a comeback wave last?<\/span><\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">Rule of thumb: 18 to 30 months for the mainstream peak, then it migrates into niche scenes. If you want to ride the wave, drop your first track within the next 12 months-after that, competition becomes suffocating.<\/div>\n<\/details>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\"><span>Where should I start listening?<\/span><\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">Begin with Justice\u2019s Cross, Daft Punk\u2019s Discovery, and the Boys-Noize discography. Then play Hyperdrama against them and listen where the sound has matured over 17 years and where it has stayed true to itself. Only then move on to the current singles. The order really matters.<\/div>\n<\/details>\n<details style=\"margin:0;padding:0;background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\"><span>What about Daft Punk?<\/span><\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">Split in 2021. Bangalter and de Homem-Christo are working on solo projects; no reunion has been announced. The revival is happening without them-and that\u2019s what makes it feel authentic.<\/div>\n<\/details>\n<style> details summary::-webkit-details-marker,details summary::marker{display:none !important;content:\"\" !important;} details summary{display:flex !important;align-items:center !important;justify-content:space-between !important;width:100% !important;text-align:left !important;gap:12px !important;} details summary > *:first-child{flex:1;} details summary::after{content:\"+\";flex-shrink:0;width:24px;height:24px;min-width:24px;border-radius:50%;background:#75B2A9;color:#000;display:inline-flex !important;align-items:center;justify-content:center;font-size:16px;font-weight:700;margin-left:auto;transition:transform 0.3s;box-shadow:0 0 10px rgba(117,178,169,0.5);} details[open] summary::after{transform:rotate(45deg);} details summary:hover{color:#75B2A9 !important;} details[open]>summary{color:#75B2A9 !important;} <\/style>\n<\/div>\n[\/vc_column_text][\/vc_column][\/vc_row]\n[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column][vc_column_text]\n<div style=\"border-top:2px solid rgba(117,178,169,0.3);padding-top:24px;margin-top:36px;\">\n<div style=\"display:flex;gap:14px;align-items:center;margin-bottom:20px;\"><img decoding=\"async\" src=\"https:\/\/www.inspiredbybeatz.com\/wp-content\/uploads\/2026\/03\/elias-kollboeck.jpg\" alt=\"Elias Kollb\u00f6ck\" style=\"width:48px;height:48px;border-radius:50%;object-fit:cover;border:2px solid #75B2A9;\"><\/p>\n<div>Elias Kollb\u00f6ck<br \/>Editorial team InspiredByBeatz &rsaquo;&rsaquo;<\/div>\n<\/div>\n<div style=\"font-size:11px;text-transform:uppercase;letter-spacing:1.5px;color:#75B2A9;font-weight:600;margin-bottom:10px;\">Read more<\/div>\n<p>Techno 2026: Modular, AI and streaming compared &rarr;DAW comparison for beginners: Ableton, FL Studio, Logic and Reaper &rarr;Vinyl meets AI mastering: Soundplate and Symphonic 2026 &rarr;<a href=\"https:\/\/www.inspiredbysports.com\/krafttraining-fuer-laeufer-laufoekonomie\/\" target=\"_blank\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;\">From the sports network: Strength training for runners and better running economy &rarr;<\/a><\/div>\n[\/vc_column_text][\/vc_column][\/vc_row]\n[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text]\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\"><em>Image source: AI-generated (May 2026), C2PA certificate embedded in image<\/em><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>Electro-Revival in the Charts: Justice and Ang\u00e8le, Benny Benassi, and Bloghouse-TikTok &#8211; an honest tech look at the French-Touch comeback.<\/p>\n","protected":false},"author":25,"featured_media":10042,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_yoast_wpseo_focuskw":"Electro Revival Justice","_yoast_wpseo_title":"Electro-Revival: How Justice, Ang\u00e8le, and Benassi Are Reviving the Charts","_yoast_wpseo_metadesc":"**\"Electro 2026 is back!** Discover how Justice, Ang\u00e8le & TikTok stars are reshaping hits-**produce smarter in your home studio now!**\"","_yoast_wpseo_opengraph-image":"https:\/\/www.inspiredbybeatz.com\/wp-content\/uploads\/2026\/05\/electro-revival-justice-angele-benassi-french-touch-comeback-cover-hero.png","_yoast_wpseo_opengraph-image-id":0,"_yoast_wpseo_twitter-image":"https:\/\/www.inspiredbybeatz.com\/wp-content\/uploads\/2026\/05\/electro-revival-justice-angele-benassi-french-touch-comeback-cover-hero.png","_yoast_wpseo_twitter-image-id":0,"_wp_old_slug":[],"footnotes":""},"categories":[7,111],"tags":[],"class_list":["post-10770","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-szene-kultur"],"wpml_language":"en","wpml_translation_of":10015,"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Electro-Revival: How Justice, Ang\u00e8le, and Benassi Are Reviving the Charts<\/title>\n<meta name=\"description\" content=\"**&quot;Electro 2026 is back!** Discover how Justice, Ang\u00e8le &amp; 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