{"id":11677,"date":"2026-06-22T10:53:47","date_gmt":"2026-06-22T10:53:47","guid":{"rendered":"https:\/\/www.inspiredbybeatz.com\/?p=11677"},"modified":"2026-06-23T17:26:14","modified_gmt":"2026-06-23T17:26:14","slug":"understanding-loudness-why-your-master-sounds-quieter","status":"publish","type":"post","link":"https:\/\/www.inspiredbybeatz.com\/en\/understanding-loudness-why-your-master-sounds-quieter\/","title":{"rendered":"Understanding Loudness: Why Your Master Sounds Quieter"},"content":{"rendered":"<div>\n<style>.postid-11617 .content > .content_inner > .container,.postid-11617 .content > .content_inner > .full_width{background-color:#000000;}<\/style>\n[vc_row css_animation=&#8220;&#8220; row_type=&#8220;row&#8220; use_row_as_full_screen_section=&#8220;no&#8220; type=&#8220;full_width&#8220; angled_section=&#8220;no&#8220; text_align=&#8220;left&#8220; background_image_as_pattern=&#8220;without_pattern&#8220;][vc_column][vc_column_text]\n<p style=\"display:inline-block;background:#75B2A9;color:#000;padding:4px 14px;border-radius:20px;font-size:0.85em;font-weight:600;margin-bottom:18px;\">5:45 read time<\/p>\n<p><strong>You line up your finished track next to a chart-topping hit, press play, and suddenly yours sounds smaller, flatter, and further away from the dancefloor. Your first reflex: push the limiter harder. That\u2019s exactly where the problem begins. Loudness isn&#8217;t a single knob you can just turn up; it&#8217;s the result of countless decisions made long before the mastering stage. Once you understand LUFS and True Peak, you stop fighting against your own music.<\/strong><\/p>\n<div style=\"position:relative;margin:24px 0;padding:24px 28px 20px;background:rgba(117,178,169,0.06);border-radius:12px;border:1px solid rgba(117,178,169,0.4);box-shadow:0 0 20px rgba(117,178,169,0.2), 0 0 40px rgba(117,178,169,0.1), inset 0 0 30px rgba(117,178,169,0.03);\">\n<h2 style=\"margin:0 0 16px 0;font-size:1.4em;color:#75B2A9;letter-spacing:1px;\">DROP<\/h2>\n<ul style=\"margin:0;padding:0 0 0 20px;list-style:none;\">\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span><strong>LUFS measures loudness.<\/strong> This value describes how loud something actually sounds, not just the highest peak.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span><strong>Streaming normalizes audio.<\/strong> Platforms pull everything down to a target level, so brute-force loudness no longer gives you an edge.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span><strong>True Peak protects your mix.<\/strong> It catches inter-sample peaks that standard level meters completely miss.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span><strong>Loudness starts with the arrangement.<\/strong> A clean, well-organized mix sounds loud without feeling squashed.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span><strong>Dynamics are not the enemy.<\/strong> The contrast between quiet and loud is exactly what makes the loud parts hit so hard.<\/li>\n<\/ul>\n<\/div>\n<h2 style=\"color:#fff;\">How LUFS Makes Loudness Measurable<\/h2>\n<p style=\"color:rgba(255,255,255,0.82);line-height:1.75;\">For a long time, producers focused almost exclusively on peak levels: as long as the waveform reached all the way to the top, they were good. But the highest peak tells you very little about how loud a track actually sounds to the human ear. A song with lots of short peaks might look dangerously huge on a meter yet still sound tiny. This is exactly where LUFS comes in: the standard unit for perceived loudness over time.<\/p>\n<p style=\"color:rgba(255,255,255,0.82);line-height:1.75;\">LUFS mimics how human hearing averages out volume. An integrated LUFS reading describes the average loudness of an entire track. Only this number allows you to fairly compare two different songs. If you want to seriously control loudness, you need a LUFS meter, not a classic peak meter. Just how crucial honest level management is during the mixdown becomes clear when you look at <a href=\"https:\/\/www.inspiredbybeatz.com\/en\/gain-staging-why-your-mix-sounds-muddled\/\">gain staging<\/a>.<\/p>\n<h2 style=\"color:#fff;\">Why Streaming Turns Loud Masters Down<\/h2>\n<p style=\"color:rgba(255,255,255,0.82);line-height:1.75;\">For decades, the music industry waged a loudness war: every release had to be louder than the last, no matter the cost to dynamics. Streaming has largely ended this race. Platforms normalize playback to a target level, often around minus fourteen LUFS. If you upload a brutally loud master, the platform simply turns it down.<\/p>\n<p style=\"color:rgba(255,255,255,0.82);line-height:1.75;\">This means: crushing your track won\u2019t gain you loudness on Spotify. You lose dynamics, spatiality, and punch. After normalization, an open mix often sounds bigger than a master that\u2019s only pushing against the ceiling. So it\u2019s not the highest LUFS value that matters, but a sound that holds up at reasonable loudness. How much your judgment depends on your listening room is explained in the article on why <a href=\"https:\/\/www.inspiredbybeatz.com\/en\/why-your-studio-monitors-lie-it-s-the-room\/\">studio monitors lie<\/a>.<\/p>\n<h2 style=\"color:#fff;\">True Peak: What Your Meter Doesn\u2019t Show<\/h2>\n<p style=\"color:rgba(255,255,255,0.82);line-height:1.75;\">A standard level meter shows digital sample values. However, it doesn\u2019t catch every peak between those samples when the signal is later played back as an audible wave. These true peaks can exceed anything your standard meter displays. This is where distortions occur that you might easily miss in the studio and can\u2019t fix after uploading.<\/p>\n<p style=\"color:rgba(255,255,255,0.82);line-height:1.75;\">That\u2019s why experienced producers leave a small safety margin when mastering, typically capping true peak just below zero-often around minus one decibel true peak. This leaves headroom for conversion and the additional compression some streaming codecs apply. A true peak limiter at the end of the chain isn\u2019t a luxury-it\u2019s insurance against distortions you can\u2019t even hear in the studio.<\/p>\n<h2 style=\"color:#fff;\">Louder Mixing Starts Before the Limiter<\/h2>\n<p style=\"color:rgba(255,255,255,0.82);line-height:1.75;\">The most important truth about loudness sounds unspectacular: It happens early in the project. When kick, bass, vocals, and synths aren&#8217;t fighting for the same space, a track already sounds big before the limiter. The limiter then only sets the final edge, instead of having to rescue the entire mix.<\/p>\n<p style=\"color:rgba(255,255,255,0.82);line-height:1.75;\">Conversely, no limiter in the world can save a mix where everything is competing for the same frequencies. You squash it louder, but it turns muddy and lifeless. So if you want louder masters, you first work on the arrangement, clean equalizing, and separation of elements. Loudness is ultimately less a question of mastering than a question of order throughout the entire project.<\/p>\n<div style=\"font-size:11px;text-transform:uppercase;letter-spacing:2px;color:#75B2A9;font-weight:700;margin:40px 0 12px;\">Playlist to Listen To<\/div>\n<div style=\"margin:12px 0 32px;padding:12px 18px;background:rgba(0,0,0,0.4);border-radius:10px;border:1px solid rgba(117,178,169,0.2);\">\n<div style=\"font-size:13px;color:#75B2A9;font-weight:600;margin-bottom:8px;font-style:italic;\">Quiet Wins: Three Masters That Prioritize Dynamics Over Pure Loudness<\/div>\n<div style=\"display:flex;flex-direction:column;gap:6px;\"><a href=\"https:\/\/open.spotify.com\/track\/2Fxmhks0bxGSBdJ92vM42m\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">Billie Eilish &#183; bad guy<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><\/a><a href=\"https:\/\/open.spotify.com\/track\/02SjktuDtLdGc9ohcqcv4h\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">Daft Punk &#183; Get Lucky<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><\/a><a href=\"https:\/\/open.spotify.com\/track\/6K4t31amVTZDgR3sKmwUJJ\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">Tame Impala &#183; The Less I Know The Better<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><\/a><\/div>\n<\/div>\n<div style=\"position:relative;margin:32px 0;padding:24px 28px 20px;background:rgba(117,178,169,0.06);border-radius:12px;border:1px solid rgba(117,178,169,0.4);box-shadow:0 0 20px rgba(117,178,169,0.2), 0 0 40px rgba(117,178,169,0.1), inset 0 0 30px rgba(117,178,169,0.03);\"><\/div>\n<h2 style=\"margin:0 0 8px 0;font-size:1.3em;color:#75B2A9;letter-spacing:1px;\">Q&#038;A After the Show<\/h2>\n<p style=\"margin:0 0 16px;font-size:0.85em;color:rgba(255,255,255,0.4);\">Click a question to expand the answer.<\/p>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\"><span>What LUFS value should I master to?<\/span><\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">A frequently cited target range for streaming is around minus fourteen integrated LUFS, but this number isn&#8217;t law. More important is that your master sounds good and retains enough dynamics. Danceable electronic music can be louder, while dynamic pieces may well be quieter. Use the value as a guideline, not a rigid target.<\/div>\n<\/details>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\"><span>Why does my master sound distorted even though the level is fine?<\/span><\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">It\u2019s very likely due to True Peaks. Your standard level meter doesn\u2019t show them, but when converting to an audible wave, peaks above zero are created that cause distortion. Limit the True Peak slightly below zero, often around minus one decibel, using a True-Peak-capable limiter, and the problem usually disappears.<\/div>\n<\/details>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\"><span>Will the limiter ruin my music?<\/span><\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">Not the limiter itself, but the attempt to force an unfinished mix loud with it. If you use it moderately as a final touch, it shapes the master cleanly. However, if you push many decibels into it, it eats up dynamics and transients. The solution almost always lies in the mix before it, not in the limiter itself.<\/div>\n<\/details>\n<details style=\"margin:0;padding:0;background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\"><span>Do I need expensive metering plugins?<\/span><\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">No. You need a LUFS and True-Peak meter, and many production environments already come with decent tools for this. There are also solid free meters. What matters isn\u2019t the price, but that you actually measure the right metric: perceived loudness rather than just peak level.<\/div>\n<\/details>\n<\/div>\n<style>details summary::-webkit-details-marker,details summary::marker{display:none !important;content:\"\" !important;}details summary{display:flex !important;align-items:center !important;justify-content:space-between !important;width:100% !important;text-align:left !important;gap:12px !important;}details summary > *:first-child{flex:1;}details summary::after{content:\"+\";flex-shrink:0;width:24px;height:24px;min-width:24px;border-radius:50%;background:#75B2A9;color:#000;display:inline-flex !important;align-items:center;justify-content:center;font-size:16px;font-weight:700;margin-left:auto;transition:transform 0.2s;}details[open] summary::after{content:\"\\2212\";transform:rotate(0deg);}<\/style>\n[\/vc_column_text][\/vc_column][\/vc_row]\n[vc_row css_animation=&#8220;&#8220; row_type=&#8220;row&#8220; use_row_as_full_screen_section=&#8220;no&#8220; type=&#8220;full_width&#8220; angled_section=&#8220;no&#8220; text_align=&#8220;left&#8220; background_image_as_pattern=&#8220;without_pattern&#8220;][vc_column][vc_column_text]\n<div style=\"border-top:2px solid rgba(117,178,169,0.3);padding-top:24px;margin-top:36px;\">\n<div style=\"display:flex;gap:14px;align-items:center;margin-bottom:20px;\"><img decoding=\"async\" src=\"https:\/\/www.inspiredbybeatz.com\/wp-content\/uploads\/2026\/03\/elias-kollboeck.jpg\" alt=\"Elias Kollb\u00f6ck\" style=\"width:48px;height:48px;border-radius:50%;object-fit:cover;border:2px solid #75B2A9;\"><\/p>\n<div style=\"color:rgba(255,255,255,0.95);\">\nElias Kollb\u00f6ck<br \/>\nEditorial Team IBS Publishing &rsaquo;&rsaquo;\n<\/div>\n<\/div>\n<div style=\"font-size:11px;text-transform:uppercase;letter-spacing:1.5px;color:#75B2A9;font-weight:600;margin-bottom:10px;\">Read More<\/div>\n<p><a href=\"https:\/\/www.inspiredbybeatz.com\/en\/gain-staging-why-your-mix-sounds-muddled\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">Gain Staging: Why Your Mix Sounds Muddy <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><a href=\"https:\/\/www.inspiredbybeatz.com\/en\/why-your-studio-monitors-lie-it-s-the-room\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">Why Your Studio Monitors Lie: It\u2019s the Room <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><a href=\"https:\/\/www.inspiredbybeatz.com\/en\/vocals-in-the-home-studio-this-is-how-they-sound-professional\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">Vocals in the Home Studio: How to Make Your Recordings Sound Professional <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><a href=\"https:\/\/www.inspiredbybeatz.com\/en\/produce-edm-beats-2026-charts\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">EDM Beats 2026: Four Rhythms Dominating the Charts <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><a href=\"https:\/\/www.inspiredbybeatz.com\/en\/field-recording-producer-own-sounds-from-everyday-noises\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;\">Field Recording: Creating Your Own Sounds from Everyday Noises <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><\/div>\n[\/vc_column_text][\/vc_column][\/vc_row]\n[vc_row css_animation=&#8220;&#8220; row_type=&#8220;row&#8220; use_row_as_full_screen_section=&#8220;no&#8220; type=&#8220;full_width&#8220; angled_section=&#8220;no&#8220; text_align=&#8220;left&#8220; background_image_as_pattern=&#8220;without_pattern&#8220;][vc_column][vc_column_text]\n&nbsp;<br \/>\n[\/vc_column_text][\/vc_column][\/vc_row]\n<p style=\"text-align:right;color:#868e96;font-size:0.85em;margin-top:48px;\"><em>Image source: AI-generated (June 2026)<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>LUFS, True Peak, Loudness War: Why a quieter, more dynamic master often sounds better on Spotify than a chart-topping brickwall mastering.<\/p>\n","protected":false},"author":25,"featured_media":11646,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_yoast_wpseo_focuskw":"Loudness mastering","_yoast_wpseo_title":"Understanding Loudness: Why Your Master Sounds Quieter","_yoast_wpseo_metadesc":"LUFS, True Peak, Loudness War: Why a quieter, dynamic master often sounds better on Spotify than a chart-loud brickwall master.","_yoast_wpseo_opengraph-image":"","_yoast_wpseo_opengraph-image-id":0,"_yoast_wpseo_twitter-image":"","_yoast_wpseo_twitter-image-id":0,"_wp_old_slug":[],"footnotes":""},"categories":[336],"tags":[],"class_list":["post-11677","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear-tech"],"wpml_language":"en","wpml_translation_of":11617,"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Understanding Loudness: Why Your Master Sounds Quieter<\/title>\n<meta name=\"description\" content=\"LUFS, True Peak, Loudness War: Why a quieter, dynamic master often sounds better on Spotify than a chart-loud brickwall master.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.inspiredbybeatz.com\/en\/understanding-loudness-why-your-master-sounds-quieter\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Understanding Loudness: Why Your Master Sounds Quieter\" \/>\n<meta property=\"og:description\" content=\"LUFS, True Peak, Loudness War: Why a quieter, dynamic master often sounds better on Spotify than a chart-loud brickwall master.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.inspiredbybeatz.com\/en\/understanding-loudness-why-your-master-sounds-quieter\/\" \/>\n<meta property=\"og:site_name\" content=\"InspiredByBeatz\" \/>\n<meta property=\"article:published_time\" content=\"2026-06-22T10:53:47+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-06-23T17:26:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.inspiredbybeatz.com\/wp-content\/uploads\/2026\/06\/cover-hero-8.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1792\" \/>\n\t<meta property=\"og:image:height\" content=\"1024\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Elias Kollb\u00f6ck\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Elias Kollb\u00f6ck\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"NewsArticle\",\"@id\":\"https:\/\/www.inspiredbybeatz.com\/en\/understanding-loudness-why-your-master-sounds-quieter\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.inspiredbybeatz.com\/en\/understanding-loudness-why-your-master-sounds-quieter\/\"},\"author\":{\"name\":\"Elias Kollb\u00f6ck\",\"@id\":\"https:\/\/www.inspiredbybeatz.com\/en\/#\/schema\/person\/eace664be42e0c9ca6ae850b57da24b3\"},\"headline\":\"Understanding Loudness: Why Your Master Sounds Quieter\",\"datePublished\":\"2026-06-22T10:53:47+00:00\",\"dateModified\":\"2026-06-23T17:26:14+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.inspiredbybeatz.com\/en\/understanding-loudness-why-your-master-sounds-quieter\/\"},\"wordCount\":1182,\"publisher\":{\"@id\":\"https:\/\/www.inspiredbybeatz.com\/en\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.inspiredbybeatz.com\/en\/understanding-loudness-why-your-master-sounds-quieter\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.inspiredbybeatz.com\/wp-content\/uploads\/2026\/06\/cover-hero-8.jpg\",\"articleSection\":[\"Gear &amp; 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