{"id":11717,"date":"2026-06-29T07:05:36","date_gmt":"2026-06-29T07:05:36","guid":{"rendered":"https:\/\/www.inspiredbybeatz.com\/?p=11717"},"modified":"2026-06-29T11:05:33","modified_gmt":"2026-06-29T11:05:33","slug":"radio-edit-for-club-tracks-how-to-get-your-track-on-the-radio","status":"publish","type":"post","link":"https:\/\/www.inspiredbybeatz.com\/en\/radio-edit-for-club-tracks-how-to-get-your-track-on-the-radio\/","title":{"rendered":"Radio Edit for Club Tracks &#8211; How to Get Your Track on the Radio"},"content":{"rendered":"<style>.postid-11708 .content > .content_inner > .container,.postid-11708 .content > .content_inner > .full_width{background-color:#000000;}<\/style>\n[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column][vc_column_text]\n<p style=\"display:inline-block;background:#75B2A9;color:#000;padding:4px 14px;border-radius:20px;font-size:0.85em;font-weight:600;margin-bottom:18px;\">6:30 reading time<\/p>\n<p><strong>It\u2019s Wednesday afternoon, a producer sends their festival anthem to a radio promoter. Two days later, the email arrives: too long, the drop comes too late, and the bass disappears on car radios. The track was never built for the medium it\u2019s now supposed to play on. Radio is its own discipline-and most producers learn that the hard way.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<div style=\"position:relative;margin:4px 0 24px;padding:24px 28px 20px;background:rgba(117,178,169,0.06);border-radius:12px;border:1px solid rgba(117,178,169,0.4);box-shadow:0 0 20px rgba(117,178,169,0.2), 0 0 40px rgba(117,178,169,0.1), inset 0 0 30px rgba(117,178,169,0.03);overflow:hidden;\">\n<h2 style=\"line-height:1.5;margin:0 0 16px 0;font-size:1.4em;color:#75B2A9;letter-spacing:1px;\">DROP<\/h2>\n<ul style=\"margin:0;padding:0 0 0 20px;list-style:none;\">\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span><strong style=\"color:#fff;\">A radio edit is its own mix<\/strong>, not just a trimmed club version. Aim for three minutes, move the hook upfront, and focus on mids over sub-bass.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span><strong style=\"color:#fff;\">The hook must land in the first eight seconds.<\/strong> A 60-second build-up is airtime no one will wait for.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span><strong style=\"color:#fff;\">Mono compatibility is non-negotiable.<\/strong> Many FM stations sum the signal to mono-wide stereo effects will collapse.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span><strong style=\"color:#fff;\">Louder isn\u2019t better.<\/strong> The broadcast processor normalizes everything anyway. An over-compressed master will sound flat afterward.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span><strong style=\"color:#fff;\">Include a clean version.<\/strong> Without a radio-friendly edit-no explicit lyrics-the track won\u2019t even make it into daytime programming.<\/li>\n<\/ul>\n<\/div>\n<p>&nbsp;<\/p>\n<h2>Why Your Club Banger Flops on the Radio<\/h2>\n<p>&nbsp;<\/p>\n<p>It took me a long time to realize that a great track and a radio-friendly track are two very different things. In the club, you\u2019ve got a sound system with real sub-bass, a dancing crowd, and time. An intro can breathe, the build-up can stretch over 32 bars to build tension, and the drop hits when everyone\u2019s ready. Radio has none of that. It\u2019s got a tiny kitchen speaker, a car stereo stuck in traffic, and a listener whose thumb is hovering over the dial.<\/p>\n<p>&nbsp;<\/p>\n<p>That\u2019s exactly why the radio edit exists. It\u2019s not a compromise-it\u2019s a deliberate production choice. Crossover hits like *One Kiss* by Calvin Harris or *I\u2019m Good* by David Guetta don\u2019t sound so immediate on the radio by accident. The hook lands instantly, the structure is tight, and the mix is optimized for small speakers. What thunders through a festival PA at twenty thousand watts has to work on a three-inch paper cone.<\/p>\n<div style=\"margin:32px 0;padding:20px 28px;border:1px solid rgba(117,178,169,0.3);box-shadow:0 0 16px rgba(117,178,169,0.12);background:rgba(117,178,169,0.05);border-radius:10px;font-size:1.15em;line-height:1.6;color:rgba(255,255,255,0.9);font-style:italic;\">A radio edit isn\u2019t just a shorter version of your track. It\u2019s the version for someone who wasn\u2019t listening when the song started.<\/div>\n<p>&nbsp;<\/p>\n<div style=\"display:flex;gap:24px;flex-wrap:wrap;margin:32px 0;padding:20px 24px;background:rgba(117,178,169,0.1);border-radius:12px;border:1px solid rgba(117,178,169,0.3);align-items:center;\">\n<div style=\"flex:0 0 auto;text-align:center;min-width:120px;\">\n<div style=\"font-size:2.8em;font-weight:800;color:#75B2A9;line-height:1;letter-spacing:-0.03em;\">3:00<\/div>\n<div style=\"font-size:0.8em;color:rgba(255,255,255,0.65);text-transform:uppercase;letter-spacing:1.5px;margin-top:4px;\">Target Length<\/div>\n<\/div>\n<div style=\"flex:0 0 auto;text-align:center;min-width:120px;\">\n<div style=\"font-size:2.8em;font-weight:800;color:#75B2A9;line-height:1;letter-spacing:-0.03em;\">8 Sec<\/div>\n<div style=\"font-size:0.8em;color:rgba(255,255,255,0.65);text-transform:uppercase;letter-spacing:1.5px;margin-top:4px;\">to the Hook<\/div>\n<\/div>\n<div style=\"flex:0 0 auto;text-align:center;min-width:140px;\">\n<div style=\"font-size:1.6em;font-weight:700;color:#75B2A9;line-height:1.1;\">-14 LUFS<br \/><span style=\"font-size:0.7em;color:rgba(255,255,255,0.5);font-weight:500;\">Loudness Range<\/span><\/div>\n<\/div>\n<div style=\"flex:1;min-width:200px;font-size:0.95em;color:rgba(255,255,255,0.85);line-height:1.5;\">Three benchmarks that decide whether a track survives on the radio-or gets skipped.<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<h2>From Six-Minute Edit to Radio Version<\/h2>\n<p>&nbsp;<\/p>\n<p>The order of steps matters. You cut first, mix second, master last. If you start rearranging at the end, you\u2019ll have to remix from scratch.<\/p>\n<p>&nbsp;<\/p>\n<figure class=\"inarticle-visual\" style=\"display:block;margin:28px auto;text-align:center;\"><img decoding=\"async\" src=\"https:\/\/www.inspiredbybeatz.com\/wp-content\/uploads\/2026\/06\/post-iav0-hero-23.jpg\" alt=\"Der Weg vom Sechs-Minuten-Edit zur Radio-Version\" style=\"max-width:100%;height:auto;border-radius:10px;\"><figcaption style=\"font-size:0.85em;color:rgba(255,255,255,0.5);margin-top:8px;font-style:italic;\">From rough cut to radio-ready, step by step.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<ul style=\"margin:24px 0;padding-left:20px;color:rgba(255,255,255,0.85);line-height:1.9;\">\n<li><strong style=\"color:#fff;\">Step 1, cut:<\/strong> Trim the arrangement to around three minutes. Lose a verse, drop a build, ditch the long outro. You\u2019re telling the same story-just without detours.<\/li>\n<li><strong style=\"color:#fff;\">Step 2, hook up front:<\/strong> Condense the intro to a few seconds or lead with the chorus as a cold open. The <a href=\"https:\/\/www.inspiredbybeatz.com\/en\/hook-first-2026-songs-for-the-first-15-seconds\/\">hook decides in the first few seconds<\/a> whether someone sticks around.<\/li>\n<li><strong style=\"color:#fff;\">Step 3, check mono:<\/strong> Sum the mix to mono as a test. If the hook disappears or the beat suddenly sounds thin, too many elements are relying on stereo width. Core elements belong in the center.<\/li>\n<li><strong style=\"color:#fff;\">Step 4, mix for small speakers:<\/strong> Sub-bass below 50 Hz barely registers on the radio-the energy needs to come from the upper bass and mids. Test on phone speakers and in the car, not just on studio monitors. <a href=\"https:\/\/www.inspiredbybeatz.com\/en\/why-your-studio-monitors-lie-it-s-the-room\/\">Your monitors won\u2019t show you what the listener hears<\/a>.<\/li>\n<li><strong style=\"color:#fff;\">Step 5, master clean:<\/strong> Leave enough headroom-don\u2019t crush it for maximum loudness. Include a clean version without explicit lyrics in the final delivery.<\/li>\n<\/ul>\n<h2>The Adjustments That Actually Matter<\/h2>\n<p>&nbsp;<\/p>\n<p>The most common pitfall? Loudness. Many producers push their master to festival-level volume because, at first glance, it sounds impressive. But once it hits the radio, a broadcast processor levels everything to a uniform loudness. Your over-limited master won\u2019t end up louder-just flatter, with less perceived dynamics. If you\u2019re familiar with the principles of <a href=\"https:\/\/www.inspiredbybeatz.com\/en\/streaming-mastering-why-louder-doesnt-work-on-spotify\/\">streaming mastering<\/a>, you\u2019re already halfway to understanding the radio scenario.<\/p>\n<p>&nbsp;<\/p>\n<p>The second key adjustment is hook discipline. In the club, repetition and hypnotic loops rule, but radio thrives on instant recognition. The chorus should arrive early and often-even if it feels excessive to many producers. That\u2019s exactly why it works. If you\u2019re refining your <a href=\"https:\/\/www.inspiredbybeatz.com\/en\/edm-arrangement-from-loop-to-exciting-track\/\">arrangement\u2019s tension arc<\/a>, build the radio edit into the process from the start instead of carving it out later.<\/p>\n<p>&nbsp;<\/p>\n<p>The third? Patience with your ego. A radio edit will strip away some of your favorite moments-the extended breakdown, the second drop, that sprawling bridge. It stings. But the edit isn\u2019t the &#8220;real&#8221; version minus something; it\u2019s a second, complete iteration for a different audience. Your festival mix stays exactly where it belongs.<\/p>\n<p>&nbsp;<\/p>\n<p>What ultimately lands on a promoter\u2019s desk often matters more than the final mix tweaks. Don\u2019t just send a single file-package it cleanly: the radio edit, a clean version, and ideally an instrumental for potential voiceovers. Label files clearly with the track title, artist, and version tag, and deliver them as an uncompressed WAV at 44.1 kHz. A brief info line with the track length and a one-sentence description helps programming teams place your track without needing to listen through the whole thing. It might feel like bureaucracy, but it makes all the difference: one track gets a shot in the rotation meeting, while the other languishes in an inbox.<\/p>\n<p>&nbsp;<\/p>\n<div style=\"margin:12px 0 32px;padding:12px 18px;background:rgba(0,0,0,0.4);border-radius:10px;border:1px solid rgba(117,178,169,0.2);\">\n<div style=\"font-size:13px;color:#75B2A9;font-weight:600;margin-bottom:8px;font-style:italic;\">Soundtrack: EDM That Works on Radio<\/div>\n<div style=\"display:flex;flex-direction:column;gap:6px;\"><a href=\"https:\/\/open.spotify.com\/track\/3BHxrkmMk2gqEap52YO265\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">Calvin Harris &#183; One Kiss<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><\/a><a href=\"https:\/\/open.spotify.com\/track\/2CkaCHHA6PwN4HCizCKwii\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">David Guetta &#183; I&#8217;m Good (Blue)<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><\/a><a href=\"https:\/\/open.spotify.com\/track\/2jR8knqPgHbGOvFOCjc62i\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">Avicii &#183; Wake Me Up<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><\/a><a href=\"https:\/\/open.spotify.com\/track\/4JL0cHT3Y9pvKMpKFm6OgC\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">The Chainsmokers &#183; Closer<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><\/a><\/div>\n<\/div>\n<div style=\"position:relative;margin:32px 0;padding:24px 28px 20px;background:rgba(117,178,169,0.06);border-radius:12px;border:1px solid rgba(117,178,169,0.4);box-shadow:0 0 20px rgba(117,178,169,0.2), 0 0 40px rgba(117,178,169,0.1), inset 0 0 30px rgba(117,178,169,0.03);\">\n<h2 style=\"margin:0 0 8px 0;font-size:1.3em;color:#75B2A9;letter-spacing:1px;\">Post-Show Q&#038;A<\/h2>\n<p style=\"margin:0 0 16px;font-size:0.85em;color:rgba(255,255,255,0.4);\">Click on a question to reveal the answer.<\/p>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\"><span>How long should a radio edit be exactly?<\/span><\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">Three minutes is a solid benchmark-anything between 2:45 and 3:30 works. What matters isn\u2019t the exact second count, but that not a single moment feels wasted. Program directors plan their broadcast clocks tightly, so a tight track simply slots in more easily.<\/div>\n<\/details>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\"><span>Is it enough to just cut down the club mix?<\/span><\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">Rarely. Cutting addresses length, not the mix itself. A club master is built for big systems and sub-bass-both of which radio lacks. You\u2019ll want to rebalance the mids and upper bass, and check mono compatibility. This isn\u2019t just a trim; it\u2019s a whole new mixdown.<\/div>\n<\/details>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\"><span>How loud should I make the radio master?<\/span><\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">Leave headroom and don\u2019t overdo the limiting. The station\u2019s broadcast processor will push your signal to its own target level anyway. A master around -14 LUFS gives the processor material to work with without squashing the dynamics beforehand. Delivering it louder won\u2019t make it sound better on the receiver.<\/div>\n<\/details>\n<details style=\"margin:0;padding:0;background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\"><span>Do I really need a clean version?<\/span><\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">If your track has explicit lyrics, yes. Daytime programming won\u2019t air the uncensored version. Provide a clean edit where sensitive parts are smoothly edited-not just crudely bleeped. Thinking ahead saves last-minute panic when the promo email\u2019s already out.<\/div>\n<\/details>\n<\/div>\n<style>details summary::-webkit-details-marker,details summary::marker{display:none !important;content:\"\" !important;}details summary{display:flex !important;align-items:center !important;justify-content:space-between !important;width:100% !important;text-align:left !important;gap:12px !important;}details summary > *:first-child{flex:1;}details summary::after{content:\"+\";flex-shrink:0;width:24px;height:24px;min-width:24px;border-radius:50%;background:#75B2A9;color:#000;display:inline-flex !important;align-items:center;justify-content:center;font-size:16px;font-weight:700;margin-left:auto;transition:transform 0.2s;}details[open] summary::after{content:\"\\2212\";transform:rotate(0deg);}<\/style>\n[\/vc_column_text][\/vc_column][\/vc_row]\n[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column][vc_column_text]\n<div style=\"border-top:2px solid rgba(117,178,169,0.3);padding-top:24px;margin-top:36px;\">\n<div style=\"display:flex;gap:14px;align-items:center;margin-bottom:20px;\"><img decoding=\"async\" src=\"https:\/\/www.inspiredbybeatz.com\/wp-content\/uploads\/2026\/03\/elias-kollboeck.jpg\" alt=\"Elias Kollb\u00f6ck\" style=\"width:48px;height:48px;border-radius:50%;object-fit:cover;border:2px solid #75B2A9;\"><\/p>\n<div style=\"color:rgba(255,255,255,0.95);\">\nElias Kollb\u00f6ck<br \/>\nEditorial Team, IBS Publishing &rsaquo;&rsaquo;\n<\/div>\n<\/div>\n<div style=\"font-size:11px;text-transform:uppercase;letter-spacing:1.5px;color:#75B2A9;font-weight:600;margin-bottom:10px;\">Read More<\/div>\n<p><a href=\"https:\/\/www.inspiredbybeatz.com\/en\/hook-first-2026-songs-for-the-first-15-seconds\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">Hook-first 2026: Crafting songs for the first 15 seconds <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><a href=\"https:\/\/www.inspiredbybeatz.com\/en\/understanding-loudness-why-your-master-sounds-quieter\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">Understanding loudness: Why your master sounds quieter <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><a href=\"https:\/\/www.inspiredbybeatz.com\/en\/edm-arrangement-from-loop-to-exciting-track\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">EDM arrangement: From loop to track with real tension <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><a href=\"https:\/\/www.inspiredbybeatz.com\/en\/streaming-mastering-why-louder-doesnt-work-on-spotify\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">Streaming mastering: Why louder on Spotify doesn\u2019t help <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><a href=\"https:\/\/www.inspiredbybeatz.com\/en\/produce-edm-beats-2026-charts\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;\">EDM beats 2026: Four rhythms dominating the charts <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><\/div>\n[\/vc_column_text][\/vc_column][\/vc_row]\n[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column][vc_column_text]\n&nbsp;<br \/>\n[\/vc_column_text][\/vc_column][\/vc_row><\/p>\n<p style=\"text-align:right;color:#868e96;font-size:0.85em;margin-top:48px;\"><em>Image source: Cover and article images AI-generated (June 2026)<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Why your club banger flops on the radio-and how the radio edit saves it: nailing length, hooks, mono mixes, and loudness right.<\/p>\n","protected":false},"author":25,"featured_media":11710,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_yoast_wpseo_focuskw":"Radio edit","_yoast_wpseo_title":"Radio Edit for Club Tracks - How to Get Your Track on the Radio","_yoast_wpseo_metadesc":"Boost your club track's radio success! 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