{"id":4485,"date":"2026-02-05T09:00:00","date_gmt":"2026-02-05T09:00:00","guid":{"rendered":"https:\/\/www.inspiredbybeatz.com\/sampling-how-a-loop-writes-music-history\/"},"modified":"2026-05-20T20:44:14","modified_gmt":"2026-05-20T20:44:14","slug":"sampling-how-a-loop-writes-music-history","status":"publish","type":"post","link":"https:\/\/www.inspiredbybeatz.com\/en\/sampling-how-a-loop-writes-music-history\/","title":{"rendered":"Sampling: How a Loop Writes Music History"},"content":{"rendered":"<style>.postid-3311 .content, .postid-3311 .post_text { background-color: #000000; }<\/style>\n<style>\n.postid-3311 .content > .content_inner > .container,\n.postid-3311 .content > .content_inner > .full_width {\n  background-color: #000000;\n}\n<\/style>\n<p style=\"display:inline-block;background:#75B2A9;color:#000;padding:4px 14px;border-radius:20px;font-size:0.82em;font-weight:600;margin-bottom:14px;letter-spacing:0.5px;\">&#9654; 4:42 Reading Time<\/p>\n<p><strong>Daft Punk took a funk loop by Edwin Birdsong and turned it into &#8220;Around the World.&#8221; Kanye West chopped up an Otis Redding vocal and built &#8220;Otis&#8221; around it. The Avalanches constructed an entire album from 3,500 samples. Sampling is the art of creating something new from the old &#8211; and it has reshaped music history more profoundly than any instrument ever has.<\/strong><\/p>\n<div style=\"position:relative;margin:4px 0 24px;padding:24px 28px 20px;background:rgba(117,178,169,0.06);border-radius:12px;border:1px solid rgba(117,178,169,0.4);box-shadow:0 0 20px rgba(117,178,169,0.2), 0 0 40px rgba(117,178,169,0.1), inset 0 0 30px rgba(117,178,169,0.03);overflow:hidden;\">\n<h2 style=\"margin:0 0 16px 0;font-size:1.4em;color:#75B2A9;letter-spacing:1px;\">DROP<\/h2>\n<ul style=\"margin:0;padding:0 0 0 20px;list-style:none;\">\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span> Sampling: The practice of using parts of existing recordings in new music.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span> Emerging in the 1970s via Bronx DJs, perfected by HipHop producers.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span> Legally complex: Every sample must be licensed, or face million-dollar lawsuits.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span> From illegally copied breakbeats to a billion-dollar licensing industry.<\/li>\n<\/ul>\n<\/div>\n<p>&nbsp;<\/p>\n<h2>The Birth: Breakbeats in the Bronx<\/h2>\n<p>&nbsp;<\/p>\n<p>It all started with <strong>DJ Kool Herc<\/strong> in the early 1970s. He played two copies of the same record and looped the instrumental break &#8211; the part where only the drums played. The B-Boys danced to it. That was the foundation of HipHop and simultaneously the birth of sampling.<\/p>\n<p>The idea was simple: Take the best part of a song and make it the whole song. The Amen Break, a six-second drum solo from Gregory Coleman&#8217;s &#8220;Amen, Brother&#8221; (1969), became the most sampled piece of music in history. You hear it in thousands of songs, from Jungle to Drum &#038; Bass to <a href=\"https:\/\/www.inspiredbybeatz.com\/en\/why-you-dont-just-hear-bass-you-feel-it\/\" style=\"color:#75B2A9;text-decoration:none;border-bottom:1px solid rgba(117,178,169,0.3);\">Bass Music<\/a> that you feel physically.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.inspiredbybeatz.com\/wp-content\/uploads\/2026\/03\/sampling-turntable-vinyl-dark.jpeg\" alt=\"Vinyl Sampling at the Turntable\" style=\"width:100%;border-radius:10px;margin:24px 0;\" \/><br \/>\n&nbsp;<\/p>\n<h2>The Golden Era: HipHop and the Crate Diggers<\/h2>\n<p>&nbsp;<\/p>\n<p>In the late 1980s and early 1990s, sampling became an art form. <strong>J Dilla<\/strong>, <strong>DJ Premier<\/strong>, <strong>Pete Rock<\/strong>, and <strong>RZA<\/strong> scoured record stores for obscure Soul, Jazz, and Funk records. They discovered treasures no one knew and transformed them into beats that shaped a generation.<\/p>\n<p><strong>Public Enemy&#8217;s<\/strong> <em>It Takes a Nation of Millions<\/em> layered dozens of samples into a sound collage that was revolutionary. <strong>The Avalanches<\/strong> went even further: <em>Since I Left You<\/em> (2000) consists of an estimated 3,500 samples melting into something completely new.<\/p>\n<div style=\"display:flex;gap:12px;margin:28px 0;flex-wrap:wrap;\">\n<div style=\"flex:1;min-width:120px;text-align:center;background:rgba(117,178,169,0.06);border-radius:10px;padding:20px 12px;border:1px solid rgba(117,178,169,0.2);box-shadow:0 0 15px rgba(117,178,169,0.1), 0 0 30px rgba(117,178,169,0.04);\">\n<div style=\"font-size:26px;font-weight:700;color:#fff;\">6 Seconds<\/div>\n<div style=\"font-size:10px;color:rgba(255,255,255,0.4);margin-top:4px;text-transform:uppercase;letter-spacing:1px;\">Amen Break<\/div><\/div>\n<div style=\"flex:1;min-width:120px;text-align:center;background:rgba(117,178,169,0.06);border-radius:10px;padding:20px 12px;border:1px solid rgba(117,178,169,0.2);box-shadow:0 0 15px rgba(117,178,169,0.1), 0 0 30px rgba(117,178,169,0.04);\">\n<div style=\"font-size:26px;font-weight:700;color:#fff;\">3,500<\/div>\n<div style=\"font-size:10px;color:rgba(255,255,255,0.4);margin-top:4px;text-transform:uppercase;letter-spacing:1px;\">Samples (Avalanches)<\/div><\/div>\n<div style=\"flex:1;min-width:120px;text-align:center;background:rgba(117,178,169,0.06);border-radius:10px;padding:20px 12px;border:1px solid rgba(117,178,169,0.2);box-shadow:0 0 15px rgba(117,178,169,0.1), 0 0 30px rgba(117,178,169,0.04);\">\n<div style=\"font-size:26px;font-weight:700;color:#fff;\">> $1 Billion<\/div>\n<div style=\"font-size:10px;color:rgba(255,255,255,0.4);margin-top:4px;text-transform:uppercase;letter-spacing:1px;\">Sample Licensing Market<\/div><\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<h2>The Legal Battle<\/h2>\n<p>&nbsp;<\/p>\n<p>In 1991, <strong>Gilbert O&#8217;Sullivan<\/strong> sued rapper Biz Markie over an unlicensed sample. The judge issued a landmark ruling: sampling without a license is theft. The music industry changed overnight.<\/p>\n<p>Suddenly, every sample had to be licensed. Costs exploded. A well-known sample could cost tens of thousands of dollars. Many producers turned to more obscure sources or began playing and manipulating their own samples. The <a href=\"https:\/\/www.inspiredbybeatz.com\/en\/ai-music-in-2026-who-still-needs-producers\/\" style=\"color:#75B2A9;text-decoration:none;border-bottom:1px solid rgba(117,178,169,0.3);\">AI Music Debate<\/a> shows parallels: It also revolves around the question of who is allowed to use what.<\/p>\n<div style=\"margin:32px 0;padding:20px 24px;border-left:3px solid #75B2A9;background:transparent;box-shadow:-4px 0 15px rgba(117,178,169,0.15);\">\n<p style=\"font-size:1.15em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.5;margin:0;font-style:italic;\">&#8220;Sampling is the most democratic form of music production. You don&#8217;t need a studio, no instrument, no training. You need ears, taste, and a record.&#8221;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<h2>Sampling Today: Between Homage and Industry<\/h2>\n<p>&nbsp;<\/p>\n<p>Today, sampling is professionalized. Services like Tracklib offer pre-cleared samples. AI tools can isolate stems that were previously unreachable. <strong>Metro Boomin<\/strong> and <strong>Tyler, the Creator<\/strong> sample just as much as indie producers on SoundCloud.<\/p>\n<p>The art has changed, but the principle remains: Listen closely, find something special, make it yours. <a href=\"https:\/\/www.inspiredbybeatz.com\/en\/the-15-best-driving-songs-of-all-time\/\" style=\"color:#75B2A9;text-decoration:none;border-bottom:1px solid rgba(117,178,169,0.3);\">The Best Driving Songs<\/a> are often those whose samples you only recognize on the third listen.<\/p>\n<p>&nbsp;<\/p>\n<h2>The Legal History: From Wild West to Licensing Model<\/h2>\n<p>&nbsp;<\/p>\n<p>Until 1991, sampling was the Wild West. Producers took what they wanted, and no one asked. Then came the case <strong>Grand Upright Music v. Warner Bros.<\/strong> and everything changed. The judge opened his ruling with a Bible quote: &#8220;Thou shalt not steal.&#8221; From that moment on, unlicensed sampling was a legal breach.<\/p>\n<p>The consequences were dramatic. The golden era of HipHop with its dense sample collages became unaffordable overnight. <strong>De La Soul<\/strong> could not release their legendary debut &#8220;3 Feet High and Rising&#8221; on streaming platforms for years because the sample clearances were too expensive. It finally appeared on Spotify in 2023, 34 years after the release.<\/p>\n<p>Today there are platforms like <strong>Tracklib<\/strong> that solve the problem elegantly. You browse a catalog of pre-cleared samples, pay a license fee, and you are legally safe. For bedroom producers, this is a gamechanger. You get the warmth of a real vinyl sample without the risk of a lawsuit.<\/p>\n<p>The dilemma remains: The wildest sample uses often arose from illegality. If you only use licensed samples, you think differently. Safer. Some argue the art suffers. Others say: Creativity always finds a way. <a href=\"https:\/\/www.inspiredbybeatz.com\/en\/ai-music-in-2026-who-still-needs-producers\/\" style=\"color:#75B2A9;text-decoration:none;border-bottom:1px solid rgba(117,178,169,0.3);\">The AI Debate<\/a> raises the same question on a new level.<\/p>\n<p>&nbsp;<\/p>\n<h2>Sampling in Practice: How a Loop Is Born<\/h2>\n<p>&nbsp;<\/p>\n<p>You sit with a laptop and <a href=\"https:\/\/www.inspiredbybeatz.com\/en\/ableton-push-3-producing-music-without-a-laptop\/\" style=\"color:#75B2A9;text-decoration:none;border-bottom:1px solid rgba(117,178,169,0.3);\">Ableton<\/a>. You hear an old funk track and somewhere at minute 2:37 the drummer plays a fill that stops you. Two seconds. You don&#8217;t need more.<\/p>\n<p>You isolate the two seconds. Pitch them down. Put them in a loop. Suddenly you have a pattern that was never intended that way, but sounds exactly like something no one has heard before. You put a kick underneath, a hi-hat on top, a bass that doubles the original groove. The funk track from 1974 becomes the beat from 2026.<\/p>\n<p>That is the magic of sampling. You don&#8217;t work in a vacuum. You work with the history of music as raw material. Every loop is a conversation between past and present. And sometimes, when the loop is right, you hear both at once.<\/p>\n<p>&nbsp;<\/p>\n<h2>The Greatest Sample Moments in Music History<\/h2>\n<p>&nbsp;<\/p>\n<p>Some samples are so iconic that they are bigger than the original song. The <strong>Amen Break<\/strong>, a six-second drum break from &#8220;Amen, Brother&#8221; by The Winstons (1969), is the most sampled piece of music in history. You hear it in Drum&#8217;n&#8217;Bass, in HipHop, in Jungle, in advertising jingles. Six seconds that founded half a dozen genres.<\/p>\n<p><strong>Daft Punk<\/strong> built their entire career on sampling. &#8220;Around the World&#8221; doesn&#8217;t sample anyone, but &#8220;One More Time&#8221; is based on Eddie Johns&#8217; &#8220;More Spell on You&#8221; (1979). &#8220;Digital Love&#8221; samples George Duke. The genius: The samples are processed so that they sound like something completely new. Daft Punk didn&#8217;t copy. They <strong>transformed<\/strong>.<\/p>\n<p>And then <strong>The Avalanches<\/strong>. Their album &#8220;Since I Left You&#8221; (2000) consists of an estimated 3,500 samples. Not a single original tone. Everything cut from records, turned, layered. The album is the proof: If sampling is an art form, then &#8220;Since I Left You&#8221; is the Sistine Chapel.<\/p>\n<div style=\"margin:32px 0;padding:20px 24px;background:rgba(117,178,169,0.06);border-radius:10px;border:1px solid rgba(117,178,169,0.25);box-shadow:0 0 15px rgba(117,178,169,0.1);\">\n<div style=\"font-size:11px;text-transform:uppercase;letter-spacing:2px;color:#75B2A9;font-weight:700;margin-bottom:10px;\">Conclusion<\/div>\n<p style=\"color:rgba(255,255,255,0.85);line-height:1.7;margin:0;\">Sampling isn&#8217;t a shortcut. It&#8217;s an art form born from listening. Whoever cuts a loop from a 40-year-old track and builds something new from it continues music history instead of copying it. From DJ Kool Herc to Tracklib, the technique has changed, but the principle remains: The best new songs arise from love for the old ones.<\/p>\n<\/div>\n<div style=\"margin-top:32px;padding:20px 24px;background:rgba(117,178,169,0.04);border-radius:10px;border:1px solid rgba(117,178,169,0.15);\">\n<div style=\"font-size:11px;text-transform:uppercase;letter-spacing:2px;color:#75B2A9;font-weight:700;margin-bottom:12px;\">&#127911; Sampling Masterpieces<\/div>\n<div style=\"display:flex;flex-direction:column;gap:6px;\"><a href=\"https:\/\/open.spotify.com\/track\/69kOkLUCkxIZYexIgSG8rq\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><br \/>\n<span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">Daft Punk &#8211; Get Lucky<\/span><br \/>\n<span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><br \/>\n<\/a><br \/>\n<a href=\"https:\/\/open.spotify.com\/track\/2tudvzsrR56uom6smgOcSf\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><br \/>\n<span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">Future &#038; Metro Boomin ft. Kendrick &#8211; Like That<\/span><br \/>\n<span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><br \/>\n<\/a><br \/>\n<a href=\"https:\/\/open.spotify.com\/track\/30FURVTCpbKyykjSEQzGkH\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><br \/>\n<span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">Amy Winehouse &#8211; Back to Black<\/span><br \/>\n<span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><br \/>\n<\/a><br \/>\n<a href=\"https:\/\/open.spotify.com\/track\/2Vkn1pUamUEfJ9GHul3RJr\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;text-decoration:none;\"><br \/>\n<span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">Peggy Gou &#8211; I Go<\/span><br \/>\n<span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><br \/>\n<\/a>\n<\/div>\n<\/div>\n<div style=\"margin-top:40px;padding:28px 25px 8px;background:rgba(117,178,169,0.06);border-radius:12px;border:1px solid rgba(117,178,169,0.4);box-shadow:0 0 20px rgba(117,178,169,0.2), 0 0 40px rgba(117,178,169,0.1), inset 0 0 30px rgba(117,178,169,0.03);\">\n<h2 style=\"margin:0 0 8px 0;font-size:1.3em;color:#75B2A9;letter-spacing:1px;\">Q&#038;A After the Show<\/h2>\n<p style=\"margin:0 0 16px;font-size:0.85em;color:rgba(255,255,255,0.4);\">Click on a question to reveal the answer.<\/p>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\">Is Sampling Legal?<\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">Yes, if you have a license. Every sample from copyrighted music must be licensed, no matter how short it is. Services like Tracklib offer pre-cleared samples. Without a license, you risk a lawsuit.<\/div>\n<\/details>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\">What&#8217;s the Difference Between Sampling and Interpolation?<\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">With sampling, you use the original recording. With interpolation, you re-record the melody or part yourself. Both must be licensed, but the costs differ.<\/div>\n<\/details>\n<details style=\"margin:0;padding:0;background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\">Can I Use Samples in My Own Beats?<\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">Yes. For non-commercial purposes, the risk is low. As soon as you make money, you need a license. Splice, Tracklib, and Loopmasters offer royalty-free samples for producers.<\/div>\n<\/details>\n<\/div>\n<style>\ndetails summary::-webkit-details-marker,details summary::marker{display:none !important;content:\"\" !important;}\ndetails summary{display:flex !important;align-items:center !important;justify-content:space-between !important;width:100% !important;text-align:left !important;gap:12px !important;} details summary > *:first-child{flex:1;} details summary::after{content:\"+\";flex-shrink:0;width:24px;height:24px;min-width:24px;border-radius:50%;background:#75B2A9;color:#000;display:inline-flex !important;align-items:center;justify-content:center;font-size:16px;font-weight:700;margin-left:auto;transition:transform 0.3s;box-shadow:0 0 10px rgba(117,178,169,0.5);}\ndetails[open] summary::after{transform:rotate(45deg);}\ndetails summary:hover{color:#75B2A9 !important;}\ndetails[open]>summary{color:#75B2A9 !important;}\n<\/style>\n<p style=\"text-align:right;margin-top:12px;font-size:10px;color:rgba(255,255,255,0.2);\"><em>Header Image Source: Pexels \/ Pixabay<\/em><\/p>\n<div style=\"border-top:2px solid rgba(117,178,169,0.3);padding-top:24px;margin-top:36px;\">\n<div style=\"display:flex;gap:14px;align-items:center;margin-bottom:20px;\">\n<img decoding=\"async\" src=\"https:\/\/www.inspiredbybeatz.com\/wp-content\/uploads\/2026\/03\/elias-kollboeck.jpg\" alt=\"Elias Kollb\u00f6ck\" style=\"width:48px;height:48px;border-radius:50%;object-fit:cover;border:2px solid #75B2A9;\"><\/p>\n<div>\n<a href=\"\/en\/author\/elias\/\" style=\"color:#fff;font-weight:700;font-size:14px;text-transform:uppercase;letter-spacing:1px;text-decoration:none;\">Elias Kollb\u00f6ck<\/a><br \/>\n<a href=\"\/en\/author\/elias\/\" style=\"color:#75B2A9;font-size:10px;text-transform:uppercase;letter-spacing:1.5px;font-weight:600;text-decoration:none;\">Music Editor &rsaquo;&rsaquo;<\/a>\n<\/div>\n<\/div>\n<div style=\"font-size:11px;text-transform:uppercase;letter-spacing:1.5px;color:#75B2A9;font-weight:600;margin-bottom:10px;\">Read More<\/div>\n<p><a href=\"https:\/\/www.inspiredbybeatz.com\/en\/ai-music-in-2026-who-still-needs-producers\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">AI Music 2026: Who Needs Producers Anymore? <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><br \/>\n<a href=\"https:\/\/www.inspiredbybeatz.com\/en\/why-you-dont-just-hear-bass-you-feel-it\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">Why You Don&#8217;t Just Hear Bass &#8211; You Feel It <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><br \/>\n<a href=\"https:\/\/www.inspiredbybeatz.com\/en\/from-vinyl-to-spotify-how-the-car-transformed-music\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;\">From Vinyl to Spotify <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><\/p>\n<p style=\"color:rgba(255,255,255,0.2);font-size:10px;margin-top:14px;text-align:center;\">IBS Publishing is a publishing brand of <a href=\"https:\/\/evernine-media.com\/\" target=\"_blank\" rel=\"noopener\" style=\"color:rgba(117,178,169,0.5);text-decoration:none;\">evernine media<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&#9654; 4:42 Reading Time Daft Punk took a funk loop by Edwin Birdsong and turned it into &#8220;Around the World.&#8221; Kanye West chopped up an Otis Redding vocal and built &#8220;Otis&#8221; around it. The Avalanches constructed an entire album from&#8230;<\/p>\n","protected":false},"author":25,"featured_media":3293,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_yoast_wpseo_focuskw":"sampling loops","_yoast_wpseo_title":"Sampling: Write music history with classic audio loops","_yoast_wpseo_metadesc":"","_yoast_wpseo_opengraph-image":"","_yoast_wpseo_opengraph-image-id":0,"_yoast_wpseo_twitter-image":"","_yoast_wpseo_twitter-image-id":0,"_evm_slot_owner":"","_wp_old_slug":[],"footnotes":""},"categories":[321,111],"tags":[],"class_list":["post-4485","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scene-culture","category-szene-kultur"],"wpml_language":"en","wpml_translation_of":3311,"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sampling: Write music history with classic audio loops<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.inspiredbybeatz.com\/en\/sampling-how-a-loop-writes-music-history\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sampling: Write music history with classic audio loops\" \/>\n<meta property=\"og:description\" content=\"&#9654; 4:42 Reading Time Daft Punk took a funk loop by Edwin Birdsong and turned it into &#8220;Around the World.&#8221; Kanye West chopped up an Otis Redding vocal and built &#8220;Otis&#8221; around it. 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