{"id":4567,"date":"2026-02-16T10:00:00","date_gmt":"2026-02-16T10:00:00","guid":{"rendered":"https:\/\/www.inspiredbybeatz.com\/old-music-new-billions-the-catalog-boom\/"},"modified":"2026-05-20T20:43:50","modified_gmt":"2026-05-20T20:43:50","slug":"old-music-new-billions-the-catalog-boom","status":"publish","type":"post","link":"https:\/\/www.inspiredbybeatz.com\/en\/old-music-new-billions-the-catalog-boom\/","title":{"rendered":"Old Music, New Billions: The Catalog Boom"},"content":{"rendered":"<style> .postid-3506 .content > .content_inner > .container, .postid-3506 .content > .content_inner > .full_width { background-color: #000000; } details summary::-webkit-details-marker,details summary::marker{display:none !important;content:\"\" !important;} details summary{display:flex !important;align-items:center !important;justify-content:space-between !important;width:100% !important;text-align:left !important;gap:12px !important;} details summary > *:first-child{flex:1;} details summary::after{content:\"+\";flex-shrink:0;width:24px;height:24px;min-width:24px;border-radius:50%;background:#75B2A9;color:#000;display:inline-flex !important;align-items:center;justify-content:center;font-size:16px;font-weight:700;margin-left:auto;transition:transform 0.3s;box-shadow:0 0 10px rgba(117,178,169,0.5);} details[open] summary::after{transform:rotate(45deg);} details summary:hover{color:#75B2A9 !important;} details[open]>summary{color:#75B2A9 !important;} <\/style>\n[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column][vc_column_text]\n<p style=\"display:inline-block;background:#75B2A9;color:#000;padding:4px 14px;border-radius:20px;font-size:0.82em;font-weight:600;margin-bottom:14px;letter-spacing:0.5px;\">\u25b6 4:41 min read<\/p>\n<p><strong>Bob Dylan\u2019s songs have fetched over \u20ac450 million. Bruce Springsteen\u2019s catalog has gone for around \u20ac500 million. Queen\u2019s for \u20ac1.27 billion. Pink Floyd\u2019s for roughly \u20ac400 million. What sounds like a fire sale is actually the biggest shift in the music industry since streaming took off. Old music is the new gold. And the world\u2019s biggest labels are paying prices that would have been unthinkable a decade ago.<\/strong><\/p>\n<div style=\"position:relative;margin:4px 0 24px;padding:24px 28px 20px;background:rgba(117,178,169,0.06);border-radius:12px;border:1px solid rgba(117,178,169,0.4);box-shadow:0 0 20px rgba(117,178,169,0.2), 0 0 40px rgba(117,178,169,0.1), inset 0 0 30px rgba(117,178,169,0.03);overflow:hidden;\">\n<h2 style=\"margin:0 0 16px 0;font-size:1.4em;color:#75B2A9;letter-spacing:1px;\">DROP<\/h2>\n<ul style=\"margin:0;padding:0 0 0 20px;list-style:none;\">\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">\u25b8<\/span>Queen catalog sold to Sony for roughly \u20ac1.27 billion\u2014largest catalog deal in music history.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">\u25b8<\/span>Michael Jackson catalog stake: Sony secured half for over \u20ac600 million.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">\u25b8<\/span>Bob Dylan, Bruce Springsteen, Pink Floyd\u2014the list of billion-euro deals keeps growing.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">\u25b8<\/span>Streaming has made old music more profitable than ever\u2014no production costs, endless revenue.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">\u25b8<\/span>What this means for new artists: their work now competes with billion-euro investments in classics.<\/li>\n<\/ul>\n<\/div>\n<p>&nbsp;[\/vc_column_text][\/vc_column][\/vc_row]\n<h2>Why old songs are suddenly worth billions<\/h2>\n<p> &nbsp; The short answer: streaming. Before Spotify and Apple Music, songs barely earned anything after a few years. The CD was sold, the radio played new music, and revenue dried up. Streaming has completely flipped that logic. A song written in 1975 generates just as much revenue in 2026 as it did on the day it was released. Every stream counts. And old songs are streamed. Constantly. Everywhere. Queen\u2019s \u201cBohemian Rhapsody\u201d has racked up over 2 billion streams on Spotify. Michael Jackson\u2019s \u201cBillie Jean\u201d has more than 1.5 billion. Bob Dylan\u2019s \u201cLike a Rolling Stone\u201d is streamed thousands of times every day\u2014sixty years after its release. These songs cost nothing to produce, nothing to market, nothing to promote. They simply exist and keep generating money. Forever. The major labels have taken notice. <strong>Sony Music<\/strong> has pursued an aggressive acquisition strategy in recent years. The purchase of the Queen catalog for around \u20ac1.27 billion in mid-2024 was the largest deal to date. In February 2024, Sony secured half of Michael Jackson\u2019s publishing and master rights for over \u20ac600 million. By the end of 2024, the Pink Floyd catalog was added for roughly \u20ac400 million. <strong>Universal Music<\/strong> had set the pace earlier, acquiring Bob Dylan\u2019s songwriting rights in 2020 for an estimated three-digit million sum. Sony followed with Dylan\u2019s master rights. Bruce Springsteen\u2019s entire catalog also went to Sony, for around \u20ac500 million. &nbsp; <\/p>\n<h2>The math behind the deals<\/h2>\n<p> &nbsp; <\/p>\n<div style=\"margin:24px 0;border-radius:8px;overflow:hidden;border:1px solid rgba(117,178,169,0.15);\"> <img decoding=\"async\" src=\"https:\/\/www.inspiredbybeatz.com\/wp-content\/uploads\/2026\/03\/catalog-boom-record-collection.jpg\" alt=\"A collection of vinyl records in a record store\" style=\"width:100%;height:auto;display:block;\"> <\/p>\n<p style=\"font-size:10px;color:rgba(255,255,255,0.25);padding:8px 12px;margin:0;background:rgba(0,0,0,0.5);\">Physical or digital: music rights have never been more valuable. Pexels \/ Markus Spiske<\/p>\n<\/p><\/div>\n<p> Catalog valuations are based on a multiple of annual earnings. A typical catalog is valued at 15 to 30 times its yearly revenue. The more stable and predictable the streams, the higher the multiple. Queen\u2019s catalog is the perfect example: a handful of instantly recognizable songs that appear constantly in films, ads, sports events, and playlists. The revenue is as predictable as a government bond\u2014only with better returns. For buyers, it\u2019s a low-risk investment. \u201cBohemian Rhapsody\u201d will still be streamed in ten years. In twenty. Probably in fifty. These songs are part of cultural history. They don\u2019t grow old. They face no competition. No new artist can replace \u201cBillie Jean.\u201d <\/p>\n<div style=\"display:flex;gap:12px;margin:28px 0;flex-wrap:wrap;\">\n<div style=\"flex:1;min-width:120px;text-align:center;background:rgba(117,178,169,0.06);border-radius:10px;padding:20px 12px;border:1px solid rgba(117,178,169,0.2);box-shadow:0 0 15px rgba(117,178,169,0.1), 0 0 30px rgba(117,178,169,0.04);\">\n<div style=\"font-size:26px;font-weight:700;color:#fff;\">\u20ac1.27 bn<\/div>\n<div style=\"font-size:10px;color:rgba(255,255,255,0.4);margin-top:4px;text-transform:uppercase;letter-spacing:1px;\">Queen deal<\/div><\/div>\n<div style=\"flex:1;min-width:120px;text-align:center;background:rgba(117,178,169,0.06);border-radius:10px;padding:20px 12px;border:1px solid rgba(117,178,169,0.2);box-shadow:0 0 15px rgba(117,178,169,0.1), 0 0 30px rgba(117,178,169,0.04);\">\n<div style=\"font-size:26px;font-weight:700;color:#fff;\">~\u20ac500 m<\/div>\n<div style=\"font-size:10px;color:rgba(255,255,255,0.4);margin-top:4px;text-transform:uppercase;letter-spacing:1px;\">Springsteen<\/div><\/div>\n<div style=\"flex:1;min-width:120px;text-align:center;background:rgba(117,178,169,0.06);border-radius:10px;padding:20px 12px;border:1px solid rgba(117,178,169,0.2);box-shadow:0 0 15px rgba(117,178,169,0.1), 0 0 30px rgba(117,178,169,0.04);\">\n<div style=\"font-size:26px;font-weight:700;color:#fff;\">~\u20ac400 m<\/div>\n<div style=\"font-size:10px;color:rgba(255,255,255,0.4);margin-top:4px;text-transform:uppercase;letter-spacing:1px;\">Pink Floyd<\/div><\/div><\/div>\n<p> &nbsp;<\/p>\n<h2>Why artists sell<\/h2>\n<p> &nbsp; The obvious answer: the money. But it\u2019s more complicated than that. Many of the artists selling now are in their seventies or eighties. <strong>Bob Dylan<\/strong> was 79 when he sold his songwriting rights. Springsteen was 72. These deals are also estate planning. Instead of leaving heirs a complex portfolio of music rights that must be managed, artists receive a lump sum during their lifetime that can be taxed more favorably than ongoing royalties. Then there\u2019s the fact that valuations have never been higher. The combination of rock-bottom interest rates in the early 2020s and the streaming boom drove multipliers to record highs. Anyone who sold in 2021 or 2022 timed the market perfectly. Whether prices will stay this high is anyone\u2019s guess. The rate turnaround has made capital more expensive, and some analysts are already warning of a correction. <\/p>\n<div style=\"margin:32px 0;padding:20px 24px;border-left:3px solid #75B2A9;background:transparent;box-shadow:-4px 0 15px rgba(117,178,169,0.15);\">\n<p style=\"font-size:1.15em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.5;margin:0;font-style:italic;\">No new artist can replace \u201cBillie Jean.\u201d That makes old songs the safest investment the music industry has.<\/p>\n<\/p><\/div>\n<p> &nbsp; <\/p>\n<h2>What this means for young artists<\/h2>\n<p> &nbsp; Here\u2019s where it gets uncomfortable. When Sony pays \u20ac1.27 billion for Queen, that investment has to pay off. That means the songs have to be everywhere\u2014on playlists, in films, in ads, in algorithms. Every slot \u201cBohemian Rhapsody\u201d occupies in a Discover Weekly playlist is a slot a new song doesn\u2019t get. Streaming platforms have a finite inventory of prominent playlist positions, and labels that have spent billions on catalogs have a vested interest in placing those songs as often as possible. The result is a competition in which new artists aren\u2019t just up against other newcomers; they\u2019re up against the biggest songs of all time backed by billion-dollar marketing budgets. That doesn\u2019t mean new music has no chance. But it does mean the bar is higher. Anyone following the <a href=\"https:\/\/www.inspiredbybeatz.com\/en\/apple-vs-spotify-the-streaming-war-escalates\/\" style=\"color:#75B2A9;text-decoration:none;border-bottom:1px solid rgba(117,178,169,0.3);\">streaming war between Apple and Spotify<\/a> can see the pattern: the platforms need exclusive content and fresh hits, yet their algorithms favor what already works. And what has worked for fifty years enjoys an unfair advantage. &nbsp;<\/p>\n<h2>Music as an Asset Class: The Other Side<\/h2>\n<p> &nbsp; The catalog boom has lured in a new breed of investors. The <strong>Hipgnosis Songs Fund<\/strong>, launched in 2018, was one of the first vehicles to package song rights as an investable product. Investors buy shares in song catalogs the way they buy stocks. Returns come from streaming revenue, sync deals for film and advertising, and licensing fees. It sounds abstract, but the consequences are real. When music becomes an asset class, yield and predictability trump artistic merit. The most valuable catalogs aren\u2019t the most critically adored; they\u2019re the ones with the steadiest streams. A track streamed 100,000 times every day is worth more than a critically hailed album with volatile numbers. For the music industry, this is a tectonic shift. Music has always been a high-risk game: most songs flop, a handful become hits. Old catalogs eliminate that risk. They\u2019re the safe harbor in an industry built on uncertainty. Whether <a href=\"https:\/\/www.inspiredbybeatz.com\/ai-musik-labels-streaming-grenzen-2026\/\" style=\"color:#75B2A9;text-decoration:none;border-bottom:1px solid rgba(117,178,169,0.3);\">AI-generated music<\/a> will change the equation\u2014or simply flood the market with fresh content while the classics keep streaming steadily\u2014is one of the hottest debates in the business.<\/p>\n<div style=\"margin:32px 0;padding:20px 24px;background:rgba(117,178,169,0.06);border-radius:10px;border:1px solid rgba(117,178,169,0.25);box-shadow:0 0 15px rgba(117,178,169,0.1);\">\n<div style=\"font-size:11px;text-transform:uppercase;letter-spacing:2px;color:#75B2A9;font-weight:700;margin-bottom:10px;\">Conclusion<\/div>\n<p style=\"color:rgba(255,255,255,0.85);line-height:1.7;margin:0;font-size:0.95em;\">Legacy music has become the safest investment in the industry. For legends, it\u2019s a lucrative exit; for labels, a bet on eternity. For emerging artists, it means the competition isn\u2019t just next door\u2014it\u2019s the biggest songs in history.<\/p>\n<\/p><\/div>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column][vc_column_text] <\/p>\n<div style=\"margin-top:40px;padding:28px 25px 8px;background:rgba(117,178,169,0.06);border-radius:12px;border:1px solid rgba(117,178,169,0.4);box-shadow:0 0 20px rgba(117,178,169,0.2), 0 0 40px rgba(117,178,169,0.1), inset 0 0 30px rgba(117,178,169,0.03);\">\n<h2 style=\"margin:0 0 8px 0;font-size:1.3em;color:#75B2A9;letter-spacing:1px;\">Q&#038;A after the show<\/h2>\n<p style=\"margin:0 0 16px;font-size:0.85em;color:rgba(255,255,255,0.4);\">Click on a question to reveal the answer.<\/p>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\"><span>What exactly is sold in a catalog deal?<\/span><\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">There are two types of rights: songwriting rights (publishing) and master rights (recordings). Some artists sell both, others only one. Bob Dylan sold both in separate deals. The rights cover all future revenue from streaming, radio, sync licensing, covers, and licensing. The buyer earns from every stream, film use, and ad placement.<\/div>\n<\/details>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\"><span>What\u2019s the biggest catalog deal of all time?<\/span><\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">Sony\u2019s acquisition of the Queen catalog in mid-2024 for about \u20ac1.27 billion. It\u2019s the priciest deal yet for a single band\u2019s rights. For comparison: Bruce Springsteen\u2019s deal was around \u20ac500 million, Pink Floyd about \u20ac400 million. When Sony paid over \u20ac600 million for half of Michael Jackson\u2019s rights, the total catalog was valued at over \u20ac1.2 billion.<\/div>\n<\/details>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\"><span>Does a catalog deal change anything for fans?<\/span><\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">For listeners, nothing changes directly\u2014the songs stay on every platform. Indirectly, it can mean songs appear more often in playlists, get used more in ads and films, and gain visibility through aggressive marketing by the new rights holders. Some fans see this critically, while others benefit from better availability and new remasters.<\/div>\n<\/details>\n<details style=\"margin:0;padding:0;background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\"><span>Can emerging artists sell their catalogs too?<\/span><\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">Theoretically yes, but rarely at comparable valuations. High multipliers apply mainly to catalogs with long, stable streaming histories. An artist who\u2019s released music for three years lacks the predictability of Queen\u2019s 50 years of streaming data. Still, platforms are emerging that make shares of newer catalogs tradable.<\/div>\n<\/details>\n<\/div>\n<style> details summary::-webkit-details-marker,details summary::marker{display:none !important;content:\"\" !important;} details summary{display:flex !important;align-items:center !important;justify-content:space-between !important;width:100% !important;text-align:left !important;gap:12px !important;} details summary > *:first-child{flex:1;} details summary::after{content:\"+\";flex-shrink:0;width:24px;height:24px;min-width:24px;border-radius:50%;background:#75B2A9;color:#000;display:inline-flex !important;align-items:center;justify-content:center;font-size:16px;font-weight:700;margin-left:auto;transition:transform 0.2s;} details[open] summary::after{content:\"\\2212\";transform:rotate(0deg);} <\/style>\n<p style=\"text-align:right;margin-top:12px;font-size:10px;color:rgba(255,255,255,0.2);\"><em>Featured image source: Pexels \/ cottonbro studio<\/em><\/p>\n<div style=\"margin-top:32px;padding:20px 24px;background:rgba(117,178,169,0.04);border-radius:10px;border:1px solid rgba(117,178,169,0.15);\">\n<div style=\"font-size:11px;text-transform:uppercase;letter-spacing:2px;color:#75B2A9;font-weight:700;margin-bottom:12px;\">\ud83c\udfb5 Songs worth billions<\/div>\n<div style=\"display:flex;flex-direction:column;gap:6px;\">\n<a href=\"https:\/\/open.spotify.com\/track\/1ATLteIN83Va5LWkGcX2pm\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><br \/>\n<span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">Bob Dylan \u2013 Like a Rolling Stone<\/span><br \/>\n<span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">\u25b6 Spotify<\/span><br \/>\n<\/a><br \/>\n<a href=\"https:\/\/open.spotify.com\/track\/6hTcuIQa0sxrrByu9wTD7s\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><br \/>\n<span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">Bruce Springsteen \u2013 Born to Run<\/span><br \/>\n<span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">\u25b6 Spotify<\/span><br \/>\n<\/a><br \/>\n<a href=\"https:\/\/open.spotify.com\/track\/5HNCy40Ni5BZJFw1TKzRsC\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><br \/>\n<span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">Pink Floyd \u2013 Comfortably Numb<\/span><br \/>\n<span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">\u25b6 Spotify<\/span><br \/>\n<\/a><br \/>\n<a href=\"https:\/\/open.spotify.com\/track\/5ChkMS8OtdzJeqyybCc9R5\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;text-decoration:none;\"><br \/>\n<span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">Michael Jackson \u2013 Billie Jean<\/span><br \/>\n<span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">\u25b6 Spotify<\/span><br \/>\n<\/a>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column][vc_column_text]\n<div style=\"border-top:2px solid rgba(117,178,169,0.3);padding-top:24px;margin-top:36px;\">\n<div style=\"display:flex;gap:14px;align-items:center;margin-bottom:20px;\">\n<img decoding=\"async\" src=\"https:\/\/www.inspiredbybeatz.com\/wp-content\/uploads\/2026\/03\/alec-chizhik.jpg\" alt=\"Alec Chizhik\" style=\"width:48px;height:48px;border-radius:50%;object-fit:cover;border:2px solid #75B2A9;\"><\/p>\n<div> Alec Chizhik<br \/> Music Editor &rsaquo;&rsaquo; <\/div>\n<\/div>\n<div style=\"font-size:11px;text-transform:uppercase;letter-spacing:1.5px;color:#75B2A9;font-weight:600;margin-bottom:10px;\">Keep reading<\/div>\n<p><a href=\"https:\/\/www.inspiredbybeatz.com\/en\/apple-vs-spotify-the-streaming-war-escalates\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">Apple vs. Spotify: The streaming war escalates <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><br \/>\n<a href=\"https:\/\/www.inspiredbybeatz.com\/en\/mike-will-made-it-r3set-album-atlanta-j-cole-2026\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">Vinyl revival: Why Gen Z is buying records <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><br \/>\n<a href=\"https:\/\/www.inspiredbybeatz.com\/ai-musik-labels-streaming-grenzen-2026\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">AI music: Labels and streaming set boundaries <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><br \/>\n<a href=\"https:\/\/www.inspiredbysports.com\/fruehjahrs-fitness-sport-saison-2026\/\" target=\"_blank\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">Spring fitness 2026: How to start the season strong <span style=\"color:rgba(255,255,255,0.3);font-size:10px;\">IBS<\/span> <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><br \/>\n<a href=\"https:\/\/www.inspiredbysports.com\/eisbaden-kaltbaden-wissenschaft-guide-2026\/\" target=\"_blank\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;\">Cold-water immersion 2026: What science really says <span style=\"color:rgba(255,255,255,0.3);font-size:10px;\">IBS<\/span> <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><\/p>\n<p style=\"color:rgba(255,255,255,0.2);font-size:10px;margin-top:14px;text-align:center;\">IBS Publishing is a publishing brand of <a href=\"https:\/\/evernine-media.com\/\" target=\"_blank\" rel=\"noopener\" style=\"color:rgba(117,178,169,0.5);text-decoration:none;\">evernine media<\/a><\/p>\n<\/div>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column][vc_column_text] \u25b6 4:41 min read Bob Dylan\u2019s songs have fetched over \u20ac450 million. Bruce Springsteen\u2019s catalog has gone for around \u20ac500 million. Queen\u2019s for \u20ac1.27 billion. Pink Floyd\u2019s for roughly \u20ac400 million. What&#8230;<\/p>\n","protected":false},"author":6,"featured_media":3504,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_yoast_wpseo_focuskw":"catalog boom","_yoast_wpseo_title":"Music Catalog: Unlock Millions in Royalties Today","_yoast_wpseo_metadesc":"Catalog boom: Queen for $1.27B, Springsteen for $500M. 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