{"id":12336,"date":"2026-07-14T21:17:34","date_gmt":"2026-07-14T21:17:34","guid":{"rendered":"https:\/\/www.inspiredbybeatz.com\/?p=12336"},"modified":"2026-07-22T18:33:32","modified_gmt":"2026-07-22T18:33:32","slug":"parametrage-dsp-le-moment-ou-la-basse-est-en-place","status":"publish","type":"post","link":"https:\/\/www.inspiredbybeatz.com\/fr\/parametrage-dsp-le-moment-ou-la-basse-est-en-place\/","title":{"rendered":"Param\u00e9trage DSP : le moment o\u00f9 la basse est en place"},"content":{"rendered":"<style>.postid-11831 .content > .content_inner > .container,.postid-11831 .content > .content_inner > .full_width{background-color:#000000;}<\/style>\n[vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n<p style=\"display:inline-block;background:#75B2A9;color:#000;padding:4px 14px;border-radius:20px;font-size:0.82em;font-weight:600;margin-bottom:14px;letter-spacing:0.5px;\">&#9654; 4:58 Temps de lecture<\/p>\n<p><strong>Il y a ce moment pr\u00e9cis dans la voiture o\u00f9 les basses ne proviennent plus des portes. Elles commencent \u00e0 r\u00e9sonner dans tout l\u2019habitacle. Jusqu\u2019ici, c\u2019est de l\u2019artisanat. R\u00e9gler un DSP signifie chasser la physique du son dans l\u2019auto, celle qui le d\u00e9chire autrement : des trajets diff\u00e9rents vers les haut-parleurs, des r\u00e9flexions dures et des basses qui, sans r\u00e9glage fin, ne sont que du bruit. Ce guide t\u2019accompagne dans cet artisanat, du premier niveau sonore jusqu\u2019au moment o\u00f9 la configuration est parfaite.<\/strong><\/p>\n<div style=\"position:relative;margin:24px 0;padding:24px 28px 20px;background:rgba(117,178,169,0.06);border-radius:12px;border:1px solid rgba(117,178,169,0.4);box-shadow:0 0 20px rgba(117,178,169,0.2), 0 0 40px rgba(117,178,169,0.1), inset 0 0 30px rgba(117,178,169,0.03);\">\n<h2 style=\"line-height:1.5;margin:0 0 16px 0;font-size:1.4em;color:#75B2A9;letter-spacing:1px;\">DROP<\/h2>\n<ul style=\"margin:0;padding:0 0 0 20px;list-style:none;\">\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span> Gain-staging d\u2019abord : \u00e9talonner successivement la source, les entr\u00e9es DSP et les sorties d\u2019amplificateur, et \u00e9liminer le clipping d\u00e8s le d\u00e9part.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span> R\u00e9glage des crossovers : s\u00e9parer proprement le subwoofer, les m\u00e9diums et les aigus avec des fr\u00e9quences de coupure adapt\u00e9es, le sub souvent autour de 80 Hz selon le syst\u00e8me.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span> Time-alignment : corriger le temps de propagation par canal jusqu\u2019\u00e0 ce que l\u2019image sonore soit centr\u00e9e devant toi et ne d\u00e9rive plus sur le c\u00f4t\u00e9.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span> EQ vers la courbe cible : analyser la courbe de mesure, traiter les pics et les creux grossiers, et prendre la courbe cible comme direction plut\u00f4t que comme dogme rigide.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span> R\u00e9glage fin \u00e0 l\u2019oreille : apr\u00e8s la mesure, affiner les derniers pourcents avec des morceaux de r\u00e9f\u00e9rence et des titres familiers.<\/li>\n<\/ul>\n<\/div>\n<h2 style=\"line-height:1.5;\">Structure de gain : transmettre le niveau proprement dans la cha\u00eene<\/h2>\n<p>Avant de penser au son, il y a le niveau. Chaque \u00e9tage, de la source au DSP en passant par l\u2019amplificateur, re\u00e7oit un signal suffisant sans saturation. Qui n\u00e9glige cette \u00e9tape s\u2019expose \u00e0 un bruit de fond ou \u00e0 une distorsion l\u00e9g\u00e8re, qu\u2019aucun EQ ne pourra rattraper par la suite.<\/p>\n<p>Parcours la cha\u00eene \u00e9tape par \u00e9tape et \u00e9talonne chaque niveau individuellement. Le clipping est le tueur de setup le plus courant en car-audio, car il se cache longtemps et ne devient audible qu\u2019\u00e0 fort volume. Un gain-staging propre est la base discr\u00e8te de tout ce qui suit.<\/p>\n<h2 style=\"line-height:1.5;\">Fr\u00e9quences de coupure : s\u00e9parer proprement le sub, les m\u00e9diums et les aigus<\/h2>\n<p>Le crossover d\u00e9termine qui porte quelles fr\u00e9quences. Le subwoofer prend en charge les fondations, le m\u00e9dium la voix, et l\u2019aigu le brillant. Quand la s\u00e9paration est bien r\u00e9gl\u00e9e, le sub n\u2019empi\u00e8te pas sur les m\u00e9diums et l\u2019aigu n\u2019est pas sous pression.<\/p>\n<p>Un point de d\u00e9part judicieux pour la coupure du sub se situe souvent autour de 80 Hz, selon le syst\u00e8me et le v\u00e9hicule. Ce qui compte, outre la fr\u00e9quence, c\u2019est la pente de coupure, c\u2019est-\u00e0-dire la rapidit\u00e9 avec laquelle un haut-parleur est d\u00e9sactiv\u00e9 de sa plage. Ici, tu transformes le chaos en responsabilit\u00e9s claires.<\/p>\n<h2 style=\"line-height:1.5;\">Correction du temps de propagation : quand le son se place au centre<\/h2>\n<p>Dans la voiture, tu es plus pr\u00e8s d\u2019une porti\u00e8re que de l\u2019autre. Sans correction, le son arrive de biais, du c\u00f4t\u00e9 o\u00f9 le haut-parleur est le plus proche. C\u2019est l\u00e0 qu\u2019intervient l\u2019alignement temporel. Il retarde les canaux les plus proches pour que tous les signaux te parviennent en m\u00eame temps.<\/p>\n<p>Le r\u00e9sultat ? Un d\u00e9clic pour beaucoup d\u00e8s la premi\u00e8re \u00e9coute. Soudain, la voix se positionne au centre du tableau de bord et la basse ne tire plus vers la porti\u00e8re du conducteur. Tu ajustes le temps de propagation par canal jusqu\u2019\u00e0 ce que l\u2019image sonore semble \u00e9maner d\u2019un point unique, droit devant toi.<\/p>\n<h2 style=\"line-height:1.5;\">Courbe cible et EQ : de la mesure \u00e0 la sensation sonore<\/h2>\n<p>L\u2019\u00e9galiseur fa\u00e7onne la r\u00e9ponse de ton syst\u00e8me en direction d\u2019une courbe cible. Cette courbe d\u00e9crit comment un bon syst\u00e8me audio en voiture devrait se comporter sur l\u2019ensemble des fr\u00e9quences. L\u2019EQ est l\u2019outil qui te permet d\u2019orienter ta mesure vers cette cible.<\/p>\n<p>L\u2019essentiel reste la mod\u00e9ration. Tu att\u00e9nues les pics et les creux les plus marqu\u00e9s, en utilisant la courbe cible comme guide. Elle sert de boussole, pas de dogme rigide. Vouloir gommer chaque irr\u00e9gularit\u00e9 \u00e0 tout prix d\u00e9grade souvent le son au lieu de l\u2019am\u00e9liorer. L\u2019EQ corrige, mais ne remplace pas un bon r\u00e9glage initial.<\/p>\n<h2 style=\"line-height:1.5;\">Mesurer avec REW : des donn\u00e9es plut\u00f4t que de l\u2019intuition<\/h2>\n<p>Ton oreille peut te tromper, surtout apr\u00e8s une heure de r\u00e9glages. Un microphone de mesure et un logiciel comme REW te montrent ce qui arrive r\u00e9ellement dans l\u2019habitacle avant que tu ne touches au DSP. La mesure r\u00e9v\u00e8le o\u00f9 une r\u00e9sonance parasite sature ou o\u00f9 une fr\u00e9quence dispara\u00eet.<\/p>\n<p>Mesure \u00e0 la position exacte o\u00f9 tu es assis. Garde l\u2019environnement silencieux. La courbe \u00e0 l\u2019\u00e9cran devient ton point de d\u00e9part honn\u00eate. \u00c0 partir de l\u00e0, tu travailles de mani\u00e8re cibl\u00e9e, sans t\u00e2tonner. Les donn\u00e9es te donnent une base solide pour que ton r\u00e9glage fin ne repose pas sur des suppositions.<\/p>\n<h2 style=\"line-height:1.5;\">L\u2019oreille comme ultime r\u00e9f\u00e9rence<\/h2>\n<p>Aussi importante soit la mesure, c\u2019est ton audition qui a le dernier mot. Une courbe techniquement parfaite ne sonne pas forc\u00e9ment bien, car la musique est bien plus qu\u2019une ligne sur un graphique. En d\u00e9finitive, tout se joue sur la pr\u00e9cision de la basse et la pr\u00e9sence de la voix devant toi.<\/p>\n<p>Utilise des morceaux de r\u00e9f\u00e9rence que tu connais par c\u0153ur. \u00c9coute attentivement : o\u00f9 se place la grosse caisse, \u00e0 quel point la voix se d\u00e9tache du rythme, jusqu\u2019o\u00f9 descend le sub sans bourdonner. Quand ton oreille est satisfaite, ton r\u00e9glage est termin\u00e9. C\u2019est ce moment qui donne tout son sens \u00e0 ce travail d\u2019artisan.<\/p>\n<div style=\"color:#75B2A9;font-weight:700;margin:40px 0 12px;\">Playlist pour le r\u00e9glage<\/div>\n<div style=\"margin:12px 0 32px;padding:12px 18px;background:rgba(0,0,0,0.4);border-radius:10px;border:1px solid rgba(117,178,169,0.2);\">\n<div style=\"font-size:13px;color:#75B2A9;font-weight:600;margin-bottom:8px;font-style:italic;\">Quatre morceaux de r\u00e9f\u00e9rence pour valider un r\u00e9glage DSP<\/div>\n<div style=\"display:flex;flex-direction:column;gap:6px;\"><a href=\"https:\/\/open.spotify.com\/track\/2Fxmhks0bxGSBdJ92vM42m\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">Billie Eilish &#183; bad guy<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><\/a><a href=\"https:\/\/open.spotify.com\/track\/7uv632EkfwYhXoqf8rhYrg\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">Massive Attack &#183; Angel<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><\/a><a href=\"https:\/\/open.spotify.com\/track\/2aJDlirz6v2a4HREki98cP\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">BICEP &#183; Glue<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><\/a><a href=\"https:\/\/open.spotify.com\/track\/6v6xHeuMLbCuddN0ETrGhs\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">Bonez MC &#183; M\u00f6rder<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><\/a><\/div>\n<\/div>\n<h2 style=\"line-height:1.5;margin:0 0 8px 0;font-size:1.3em;color:#75B2A9;letter-spacing:1px;\">Questions-r\u00e9ponses apr\u00e8s le spectacle<\/h2>\n<p style=\"margin:0 0 16px;font-size:0.85em;color:rgba(255,255,255,0.4);\">Cliquez sur une question pour afficher la r\u00e9ponse.<\/p>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\">Ai-je absolument besoin d\u2019un microphone de mesure ou mon oreille suffit-elle ?<\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">Pour d\u00e9buter, tu peux aller loin avec une bonne oreille et des morceaux familiers. Mais un microphone de mesure avec un logiciel comme REW r\u00e9v\u00e8le o\u00f9 ton v\u00e9hicule r\u00e9sonne ou \u00e9touffe une fr\u00e9quence. Surtout pour les basses et les modes de salle, la mesure apporte une clart\u00e9 que l\u2019oreille seule a du mal \u00e0 percevoir.<\/div>\n<\/details>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\">Quelle fr\u00e9quence de coupure est un bon point de d\u00e9part pour le subwoofer et les m\u00e9diums ?<\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">Pour la s\u00e9paration entre le subwoofer et les m\u00e9diums, une valeur autour de 80 Hz est un point de d\u00e9part courant. La valeur exacte d\u00e9pend de tes enceintes et de leur installation. Prends les 80 Hz comme r\u00e9f\u00e9rence et affine ensuite avec des mesures et ton oreille.<\/div>\n<\/details>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\">\u00c0 quoi sert le time-alignment si les enceintes sont d\u00e9j\u00e0 devant moi ?<\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">M\u00eame devant toi, les enceintes sont \u00e0 des distances diff\u00e9rentes, souvent l\u2019une plus proche de la porti\u00e8re. Le time-alignment compense ces \u00e9carts pour que tous les signaux arrivent en m\u00eame temps. R\u00e9sultat : une image sonore centr\u00e9e, o\u00f9 la voix reste au milieu au lieu de venir d\u2019un coin.<\/div>\n<\/details>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\">Dans quel ordre r\u00e9gler le gain, le crossover, le time-alignment et l\u2019EQ ?<\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">Un ordre \u00e9prouv\u00e9 est d\u2019abord le gain, puis le crossover, ensuite le time-alignment et enfin l\u2019EQ. Tu construis ainsi ton setup depuis la cha\u00eene de niveau propre, en passant par la r\u00e9partition des fr\u00e9quences et la localisation, jusqu\u2019au r\u00e9glage fin. Si tu inverses l\u2019ordre, tu corriges souvent des erreurs qui viennent d\u2019une \u00e9tape pr\u00e9c\u00e9dente.<\/div>\n<\/details>\n<details style=\"margin:0;padding:0;background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\">\u00c0 quel volume dois-je mesurer pour que les valeurs soient fiables ?<\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">Mesure \u00e0 un niveau mod\u00e9r\u00e9 et constant, nettement au-dessus du bruit ambiant, mais sans forcer l\u2019amplificateur. Trop bas, la mesure se noie dans les parasites ; trop fort, elle est fauss\u00e9e par la distorsion. Un volume d\u2019\u00e9coute moyen dans un environnement calme te donnera la courbe la plus fiable.<\/div>\n<\/details>\n<style>details summary::-webkit-details-marker,details summary::marker{display:none !important;content:\"\" !important;}details summary{display:flex !important;align-items:center !important;justify-content:space-between !important;width:100% !important;text-align:left !important;gap:12px !important;} details summary > *:first-child{flex:1;} details summary::after{content:\"+\";flex-shrink:0;width:24px;height:24px;min-width:24px;border-radius:50%;background:#75B2A9;color:#000;display:inline-flex !important;align-items:center;justify-content:center;font-size:16px;font-weight:700;margin-left:auto;transition:transform 0.3s;box-shadow:0 0 10px rgba(117,178,169,0.5);}details[open] summary::after{transform:rotate(45deg);}details summary:hover{color:#75B2A9 !important;}details[open]>summary{color:#75B2A9 !important;}<\/style>\n[\/vc_column_text][\/vc_column][\/vc_row]\n[vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n<div style=\"border-top:2px solid rgba(117,178,169,0.3);padding-top:24px;margin-top:36px;\">\n<div style=\"display:flex;gap:14px;align-items:center;margin-bottom:20px;\">\n<img decoding=\"async\" src=\"https:\/\/www.inspiredbysports.com\/wp-content\/uploads\/2026\/03\/sonja-hoeslmeier.jpg\" alt=\"Sonja H\u00f6slmeier\" style=\"width:48px;height:48px;border-radius:50%;object-fit:cover;border:2px solid #75B2A9;\"><\/p>\n<div style=\"color:rgba(255,255,255,0.95);\">\nSonja H\u00f6slmeier<br \/>\nR\u00e9daction IBS Publishing &rsaquo;&rsaquo;\n<\/div>\n<\/div>\n<div style=\"font-size:11px;text-transform:uppercase;letter-spacing:1.5px;color:#75B2A9;font-weight:600;margin-bottom:10px;\">Pour aller plus loin<\/div>\n<p>splash! \u00e0 Ferropolis : pourquoi cette ville de fer fait le festival <span style=\"color:#75B2A9;\">&#8594;<\/span><br \/>\n<a href=\"https:\/\/www.inspiredbybeatz.com\/fr\/test-des-haut-parleurs-automobiles-lesquels-sonnent-vraiment\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">Test d\u2019enceintes auto : lesquelles sonnent vraiment <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><br \/>\nTidal ne r\u00e9mun\u00e8re plus la musique g\u00e9n\u00e9r\u00e9e par IA \u2013 Deezer compte 44 % d\u2019uploads IA <span style=\"color:#75B2A9;\">&#8594;<\/span><br \/>\n<a href=\"https:\/\/www.inspiredbybeatz.com\/fr\/lia-construit-les-90-vous-faites-le-reste\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">L\u2019IA compose 90 % du beat. \u00c0 toi de faire le reste <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><br \/>\nRadio-edit pour les morceaux de club \u2013 Comment adapter ton titre \u00e0 la radio <span style=\"color:#75B2A9;\">&#8594;<\/span><\/p>\n<\/div>\n[\/vc_column_text][\/vc_column][\/vc_row]\n<p style=\"text-align:right;color:#868e96;font-size:0.85em;margin-top:48px;\"><em>Source de l\u2019image : g\u00e9n\u00e9r\u00e9e par IA (juillet 2026)<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>R\u00e9gler les DSP dans l&rsquo;audio automobile : alignement temporel, filtre passe-haut, gain et courbe cible \u00e9tape par \u00e9tape.<\/p>\n","protected":false},"author":30,"featured_media":11833,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_yoast_wpseo_focuskw":"Param\u00e8tres DSP","_yoast_wpseo_title":"Param\u00e9trage DSP : le moment o\u00f9 la basse est en place","_yoast_wpseo_metadesc":"R\u00e9glage DSP en audio automobile : Alignement temporel, Crossover, Gain et courbe cible \u00e9tape par \u00e9tape. 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