{"id":4643,"date":"2026-02-03T10:00:00","date_gmt":"2026-02-03T10:00:00","guid":{"rendered":"https:\/\/www.inspiredbybeatz.com\/kaytranada-larchitecte-discret-du-son-club\/"},"modified":"2026-05-20T20:44:17","modified_gmt":"2026-05-20T20:44:17","slug":"kaytranada-larchitecte-discret-du-son-club","status":"publish","type":"post","link":"https:\/\/www.inspiredbybeatz.com\/fr\/kaytranada-larchitecte-discret-du-son-club\/","title":{"rendered":"KAYTRANADA : L\u2019architecte discret du son club"},"content":{"rendered":"<style>.postid-3339 .content, .postid-3339 .post_text { background-color: #000000; }<\/style>\n<style>\n.postid-3339 .content > .content_inner > .container,\n.postid-3339 .content > .content_inner > .full_width {\n  background-color: #000000;\n}\ndetails summary::-webkit-details-marker,details summary::marker{display:none !important;content:\"\" !important;}\ndetails summary{display:flex !important;align-items:center !important;justify-content:space-between !important;width:100% !important;text-align:left !important;gap:12px !important;}\ndetails summary > *:first-child{flex:1;}\ndetails summary::after{content:\"+\";flex-shrink:0;width:24px;height:24px;min-width:24px;border-radius:50%;background:#75B2A9;color:#000;display:inline-flex !important;align-items:center;justify-content:center;font-size:16px;font-weight:700;margin-left:auto;transition:transform 0.3s;box-shadow:0 0 10px rgba(117,178,169,0.5);}\ndetails[open] summary::after{transform:rotate(45deg);}\ndetails summary:hover{color:#75B2A9 !important;}\ndetails[open]>summary{color:#75B2A9 !important;}\n<\/style>\n<p style=\"display:inline-block;background:#75B2A9;color:#000;padding:4px 14px;border-radius:20px;font-size:0.82em;font-weight:600;margin-bottom:14px;letter-spacing:0.5px;\">&#9654; 5 min 1 s de lecture<\/p>\n<p><strong>Vous avez tr\u00e8s probablement d\u00e9j\u00e0 entendu KAYTRANADA sans conna\u00eetre son nom. Ce producteur originaire de Montr\u00e9al a sign\u00e9 des beats qui ont r\u00e9sonn\u00e9 sur les albums de Beyonc\u00e9, dans les publicit\u00e9s Nike et sur les plus grands festivals mondiaux. Pourtant, en dehors de la sc\u00e8ne, il reste largement m\u00e9connu. Ce n&rsquo;est pas un hasard. C&rsquo;est sa strat\u00e9gie.<\/strong><\/p>\n<div style=\"position:relative;margin:4px 0 24px;padding:24px 28px 20px;background:rgba(117,178,169,0.06);border-radius:12px;border:1px solid rgba(117,178,169,0.4);box-shadow:0 0 20px rgba(117,178,169,0.2), 0 0 40px rgba(117,178,169,0.1), inset 0 0 30px rgba(117,178,169,0.03);overflow:hidden;\">\n<h2 style=\"margin:0 0 16px 0;font-size:1.4em;color:#75B2A9;letter-spacing:1px;\">Drop<\/h2>\n<ul style=\"margin:0;padding:0 0 0 20px;list-style:none;\">\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span> KAYTRANADA : Laur\u00e9at du Grammy, beatmaker, indiff\u00e9rent aux genres<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span> D&rsquo;origine ha\u00eftiano-canadienne, grandi \u00e0 Montr\u00e9al, marqu\u00e9 par la house et le hip-hop<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span> Collaborations avec Anderson .Paak, Pharrell, SiR, Charlotte Day Wilson<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span> Grammy 2021 pour le meilleur album dance\/\u00e9lectronique (BUBBA)<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span> Son son : l\u00e0 o\u00f9 la house rencontre l&rsquo;R&#038;B, sans que l&rsquo;un ou l&rsquo;autre y perde quoi que ce soit<\/li>\n<\/ul>\n<\/div>\n<p>&nbsp;<\/p>\n<h2>Le jeune homme de Montr\u00e9al qui a tout fusionn\u00e9<\/h2>\n<p>&nbsp;<\/p>\n<p><strong>Louis Kevin Celestin<\/strong>, n\u00e9 en 1992 \u00e0 Montr\u00e9al, fils d&rsquo;immigr\u00e9s ha\u00eftiens. Sa socialisation musicale : les soir\u00e9es dancehall de sa communaut\u00e9, le hip-hop de MF DOOM et de J Dilla, la tradition house des clubs underground montr\u00e9alais. De ce m\u00e9lange, il a construit quelque chose qui n&rsquo;existait pas auparavant.<\/p>\n<p>\u00c0 14 ans, il commence \u00e0 produire des beats. \u00c0 18 ans, il est d\u00e9j\u00e0 une figure incontournable sur SoundCloud. \u00c0 24 ans, il publie son premier album, 99.9 %, qui obtient une note de 8,5 sur Pitchfork et est imm\u00e9diatement salu\u00e9 comme l&rsquo;un des meilleurs albums \u00e9lectroniques de la d\u00e9cennie. L&rsquo;astuce ? Ce n&rsquo;\u00e9tait pas un album \u00e9lectronique. C&rsquo;\u00e9tait un album qui utilisait, par hasard, des moyens \u00e9lectroniques.<\/p>\n<div style=\"margin:24px 0;border-radius:8px;overflow:hidden;border:1px solid rgba(117,178,169,0.15);\">\n<img decoding=\"async\" src=\"https:\/\/www.inspiredbybeatz.com\/wp-content\/uploads\/2026\/03\/producer-studio-dark.jpg\" alt=\"Musikproduzent im dunklen Studio\" style=\"width:100%;height:auto;display:block;\"><\/p>\n<p style=\"font-size:10px;color:rgba(255,255,255,0.25);padding:8px 12px;margin:0;background:rgba(0,0,0,0.5);\">En studio, dans le noir, seul avec ses beats : c&rsquo;est ainsi que travaille KAYTRANADA. Pexels \/ Bert Christiaens<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<h2>Pourquoi son son fonctionne<\/h2>\n<p>&nbsp;<\/p>\n<p>Ce que fait techniquement KAYTRANADA est difficile \u00e0 d\u00e9crire, car cela sonne si naturel. Il prend une <strong>kick house<\/strong>, y superpose une <strong>snare hip-hop<\/strong>, filtre l&rsquo;ensemble \u00e0 travers une <strong>harmonie R&#038;B<\/strong>, puis ajoute une <strong>percussion afrobeat<\/strong> si discr\u00e8te que vous ne la remarquez qu&rsquo;\u00e0 la troisi\u00e8me \u00e9coute. \u00c7a sonne simple. Ce n&rsquo;est pas simple.<\/p>\n<p>Son geste signature : la <strong>snare d\u00e9cal\u00e9e<\/strong>. Dans la plupart des productions, la snare tombe sur le deux et le quatre. Chez KAYTRANADA, elle arrive l\u00e9g\u00e8rement apr\u00e8s. Cela g\u00e9n\u00e8re un swing que votre corps per\u00e7oit avant m\u00eame que votre esprit ne le comprenne. C&rsquo;est la raison pour laquelle ses beats vous poussent \u00e0 danser, m\u00eame lorsque vous \u00eates assis \u00e0 votre bureau. Celui qui comprend les <a href=\"https:\/\/www.inspiredbybeatz.com\/fr\/vers-les-vers-doreille-pourquoi-votre-cerveau-fait-tourner-un-morceau-en-boucle\/\" style=\"color:#75B2A9;text-decoration:none;border-bottom:1px solid rgba(117,178,169,0.3);\">oreilles qui chantent<\/a> reconna\u00eet ce sch\u00e9ma : des \u00e9carts rythmiques qui captivent le cerveau.<\/p>\n<p>Sa technique d&rsquo;\u00e9chantillonnage est \u00e9galement unique. Il ne d\u00e9coupe pas simplement d&rsquo;anciens disques. Il extrait une fraction de seconde d&rsquo;un titre funk des ann\u00e9es 1970, en \u00e9l\u00e8ve la hauteur (pitch), puis l&rsquo;int\u00e8gre comme substitut de hi-hat dans un beat moderne. Vous n&rsquo;entendez jamais la source originale, mais vous ressentez la chaleur qu&rsquo;un son enti\u00e8rement num\u00e9rique ne pourrait jamais produire.<\/p>\n<p>&nbsp;<\/p>\n<h2>BUBBA et le Grammy<\/h2>\n<p>&nbsp;<\/p>\n<p><strong>BUBBA<\/strong> est sorti en 2019 et a remport\u00e9 le Grammy du meilleur album dance\/\u00e9lectronique en 2021. Cela serait d\u00e9j\u00e0 remarquable en soi. Mais ce qui rend BUBBA v\u00e9ritablement exceptionnel, c&rsquo;est qu&rsquo;il n&rsquo;est pas un album dance au sens traditionnel. C&rsquo;est un album R&#038;B produit dans un style house. Un album hip-hop port\u00e9 par un groove disco. Des titres comme <strong>10 %<\/strong>, en collaboration avec Kali Uchis, naviguent entre les genres comme un DJ qui manipule simultan\u00e9ment trois platines.<\/p>\n<p>Le Grammy \u00e9tait aussi un signal adress\u00e9 \u00e0 l&rsquo;industrie. La cat\u00e9gorie \u00ab Dance\/Electronic \u00bb est traditionnellement domin\u00e9e par des producteurs purement club. Le fait que KAYTRANADA l&rsquo;ait remport\u00e9e montre que les fronti\u00e8res de cette cat\u00e9gorie sont d\u00e9sormais poreuses. Vous n&rsquo;avez pas besoin de construire un beat strictement \u00ab quatre sur le sol \u00bb pour \u00eatre reconnu comme artiste \u00e9lectronique. Il vous suffit d&rsquo;\u00eatre bon.<\/p>\n<p>Apr\u00e8s BUBBA, il aurait pu reproduire exactement la m\u00eame formule. Au lieu de cela, il a disparu. Des collaborations pour <a href=\"https:\/\/www.inspiredbybeatz.com\/fr\/beyonce-cowboy-carter-le-country-appartient-a-tous\/\" style=\"color:#75B2A9;text-decoration:none;border-bottom:1px solid rgba(117,178,169,0.3);\">Beyonc\u00e9<\/a>, des remixes pour Disclosure, des sets DJ qui refusent obstin\u00e9ment de suivre un sch\u00e9ma pr\u00e9\u00e9tabli. KAYTRANADA n&rsquo;est pas un artiste qui suit des cycles d&rsquo;albums. C&rsquo;est un producteur qui appara\u00eet, livre son travail, puis dispara\u00eet \u00e0 nouveau &#8211; jusqu&rsquo;\u00e0 la prochaine fois.<\/p>\n<p>&nbsp;<\/p>\n<h2>L&rsquo;influence que personne ne parvient \u00e0 identifier<\/h2>\n<p>&nbsp;<\/p>\n<p>L&rsquo;influence de KAYTRANADA est partout, mais invisible. Si vous \u00e9coutez de la <a href=\"https:\/\/www.inspiredbybeatz.com\/fr\/musique-ia-2026-qui-a-encore-besoin-de-producteurs\/\" style=\"color:#75B2A9;text-decoration:none;border-bottom:1px solid rgba(117,178,169,0.3);\">nouvelle musique<\/a> qui vous invite \u00e0 danser tout en vous invitant \u00e0 vous d\u00e9tendre, sa signature y est pr\u00e9sente. Anderson .Paak, Tyler, the Creator et Frank Ocean ont tous collabor\u00e9 avec lui. Son son a influenc\u00e9 toute une g\u00e9n\u00e9ration de producteurs amateurs, install\u00e9s devant Ableton, qui tentent d\u00e9sesp\u00e9r\u00e9ment de reproduire ce groove sp\u00e9cifique.<\/p>\n<p>Ce qui le distingue : il laisse respirer ses beats. L\u00e0 o\u00f9 d&rsquo;autres producteurs remplissent chaque milliseconde, KAYTRANADA laisse de l&rsquo;espace. Le silence est, chez lui, un instrument \u00e0 part enti\u00e8re. La pause entre deux kicks est tout aussi importante que le kick lui-m\u00eame. Cela rend sa musique vivante, chaude, humaine. \u00c0 une \u00e9poque o\u00f9 les <a href=\"https:\/\/www.inspiredbybeatz.com\/fr\/musique-ia-2026-qui-a-encore-besoin-de-producteurs\/\" style=\"color:#75B2A9;text-decoration:none;border-bottom:1px solid rgba(117,178,169,0.3);\">beats g\u00e9n\u00e9r\u00e9s par IA<\/a> deviennent toujours plus parfaits, c&rsquo;est une qualit\u00e9 que nul algorithme ne saurait copier.<\/p>\n<p>&nbsp;<\/p>\n<h2>Le son de Montr\u00e9al : comment une ville a fa\u00e7onn\u00e9 un genre<\/h2>\n<p>&nbsp;<\/p>\n<p>Montr\u00e9al poss\u00e8de une longue tradition de musique \u00e9lectronique. De la sc\u00e8ne club francophone des ann\u00e9es 1990 aux labels comme Turbo Recordings ou Musique Risqu\u00e9e. KAYTRANADA a grandi dans cet \u00e9cosyst\u00e8me, mais il ne vient pas seulement de Montr\u00e9al. Il vient d&rsquo;<strong>Ha\u00efti<\/strong>. Sa famille a \u00e9migr\u00e9 alors qu&rsquo;il \u00e9tait enfant. La combinaison entre les rythmes carib\u00e9ens et la culture club canadienne constitue le c\u0153ur m\u00eame de son son.<\/p>\n<p>Dans les interviews, il \u00e9voque rarement l&rsquo;influence ha\u00eftienne. Pourtant, on l&rsquo;entend. Les rythmes syncop\u00e9s, les accents d\u00e9cal\u00e9s, la fa\u00e7on dont ses beats respirent plut\u00f4t que de marteler. Cela ne vient pas d&rsquo;un tutoriel DAW. Cela vient d&rsquo;une enfance berc\u00e9e par la musique <strong>kompa<\/strong> autour de la table de cuisine et par <strong>A Tribe Called Quest<\/strong> dans ses \u00e9couteurs.<\/p>\n<p>Montr\u00e9al lui a aussi appris \u00e0 exister entre les mondes : fran\u00e7ais et anglais, grand public et underground, hip-hop et house. Dans une ville qui est elle-m\u00eame un m\u00e9lange culturel, KAYTRANADA a compris que l&rsquo;identit\u00e9 n&rsquo;est pas une question de \u00ab soit\u2026 soit\u2026 \u00bb. Elle est un <a href=\"https:\/\/www.inspiredbybeatz.com\/fr\/echantillonnage-comment-un-loop-ecrit-lhistoire-de-la-musique\/\" style=\"color:#75B2A9;text-decoration:none;border-bottom:1px solid rgba(117,178,169,0.3);\">\u00e9chantillon issu de sources diverses<\/a>, mix\u00e9 pour donner naissance \u00e0 quelque chose de nouveau.<\/p>\n<p>&nbsp;<\/p>\n<h2>Pourquoi KAYTRANADA est le producteur le plus important que vous ne connaissez pas<\/h2>\n<p>&nbsp;<\/p>\n<p>Cela peut sembler exag\u00e9r\u00e9. Ce n&rsquo;est pas le cas. Comptez les collaborations : <strong>Pharrell<\/strong>, <strong>Anderson .Paak<\/strong>, <strong>Tinashe<\/strong>, <strong>Kali Uchis<\/strong>, <strong>H.E.R.<\/strong>, <strong>SZA<\/strong>. Chacun de ces artistes a activement demand\u00e9 une production de KAYTRANADA &#8211; et non l&rsquo;inverse. Lorsque les meilleurs chanteurs et rappeurs mondiaux frappent \u00e0 votre porte, vous n&rsquo;\u00eates pas underground. Vous \u00eates la r\u00e9f\u00e9rence.<\/p>\n<p>Son influence d\u00e9passe largement ses propres sorties. Toute la vague \u00ab R&#038;B meets House \u00bb des cinq derni\u00e8res ann\u00e9es porte sa patte. Si vous \u00e9coutez sur Spotify un <a href=\"https:\/\/www.inspiredbybeatz.com\/fr\/lo-fi-beats-pourquoi-votre-cerveau-devient-productif-au-rythme-du-chillhop\/\" style=\"color:#75B2A9;text-decoration:none;border-bottom:1px solid rgba(117,178,169,0.3);\">mix lo-fi ou chillhop<\/a> qui semble plus groovy que la moyenne, il y a de fortes chances que le producteur cite KAYTRANADA comme influence.<\/p>\n<p>&nbsp;<\/p>\n<h2>Ce qui vient ensuite<\/h2>\n<p>&nbsp;<\/p>\n<p>Depuis BUBBA, KAYTRANADA n&rsquo;a pas publi\u00e9 de nouvel album. Cela ressemble \u00e0 une pause. Ce n&rsquo;en est pas une. Ces derni\u00e8res ann\u00e9es, il a produit davantage de collaborations que certains producteurs n&rsquo;en r\u00e9alisent de beats. Des titres pour <strong>Amin\u00e9<\/strong>, <strong>Thundercat<\/strong>, <strong>Lucky Daye<\/strong>. Chacun d&rsquo;eux est un petit chef-d&rsquo;\u0153uvre &#8211; et aucun ne ressemble \u00e0 un autre.<\/p>\n<p>La saison des festivals 2026 r\u00e9v\u00e9lera la direction prise. KAYTRANADA est programm\u00e9 \u00e0 <a href=\"https:\/\/www.inspiredbybeatz.com\/fr\/coachella-2026-trois-tetes-daffiche-qui-font-lhistoire\/\" style=\"color:#75B2A9;text-decoration:none;border-bottom:1px solid rgba(117,178,169,0.3);\">Coachella<\/a>, \u00e0 Primavera Sound et au Montreux Jazz Festival. Ses concerts live sont d\u00e9sormais bien plus que de simples sets DJ : il joue des instruments, chante occasionnellement, et cr\u00e9e des transitions de quinze minutes qui ne s&rsquo;essoufflent jamais.<\/p>\n<p>Ce qui le distingue des autres DJs de festival : il joue presque exclusivement ses propres productions et ses propres r\u00e9arrangements. Pas de medley de tubes, pas de \u00ab prochain titre que tout le monde conna\u00eet \u00bb. Celui qui assiste \u00e0 un set KAYTRANADA ne re\u00e7oit pas un spectacle de plus grands succ\u00e8s. Il vit un voyage. Parfois vers le club, parfois vers le d\u00e9sert, parfois vers un lieu qui n&rsquo;a encore aucun nom. Et c&rsquo;est pr\u00e9cis\u00e9ment l\u00e0 que r\u00e9side le point essentiel.<\/p>\n<div style=\"margin:32px 0;padding:20px 24px;background:rgba(117,178,169,0.06);border-radius:10px;border:1px solid rgba(117,178,169,0.25);box-shadow:0 0 15px rgba(117,178,169,0.1);\">\n<div style=\"font-size:11px;text-transform:uppercase;letter-spacing:2px;color:#75B2A9;font-weight:700;margin-bottom:10px;\">Conclusion<\/div>\n<p style=\"color:rgba(255,255,255,0.8);line-height:1.7;font-size:0.95em;margin:0;\">KAYTRANADA a invent\u00e9 un genre qui n&rsquo;a pas besoin de nom. Tant que les algorithmes ne sauront pas ressentir son groove, il restera irrempla\u00e7able.<\/p>\n<\/div>\n<div style=\"margin-top:40px;padding:28px 25px 8px;background:rgba(117,178,169,0.06);border-radius:12px;border:1px solid rgba(117,178,169,0.4);box-shadow:0 0 20px rgba(117,178,169,0.2), 0 0 40px rgba(117,178,169,0.1), inset 0 0 30px rgba(117,178,169,0.03);\">\n<h2 style=\"margin:0 0 8px 0;font-size:1.3em;color:#75B2A9;letter-spacing:1px;\">Q&#038;A apr\u00e8s le show<\/h2>\n<p style=\"margin:0 0 16px;font-size:0.85em;color:rgba(255,255,255,0.4);\">Cliquez sur une question pour afficher la r\u00e9ponse.<\/p>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\">Quel est le meilleur album de KAYTRANADA pour d\u00e9buter ?<\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">99.9 % (2016) est le point d&rsquo;entr\u00e9e parfait. Il est plus accessible que BUBBA et illustre toute la palette de son univers sonore : du funky au m\u00e9lancolique, de la f\u00eate au canap\u00e9.<\/div>\n<\/details>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\">KAYTRANADA se produit-il encore en live ?<\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">Oui. Ses sets DJ sur des festivals tels que Coachella, Primavera Sound ou Sonar comptent parmi les temps forts. En live, il mixe ses propres titres avec des vinyles funk obscurs et des classiques de la house.<\/div>\n<\/details>\n<details style=\"margin:0;padding:0;background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\">Qu&rsquo;est-ce qui rend son son si particulier ?<\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">Le groove, le groove et encore le groove. KAYTRANADA puise dans la tradition du swing de J Dilla, la combine avec le tempo house et les harmonies R&#038;B. Ses beats sont chauds et organiques, jamais st\u00e9riles ni m\u00e9caniques.<\/div>\n<\/details>\n<\/div>\n<p style=\"text-align:right;margin-top:12px;font-size:10px;color:rgba(255,255,255,0.2);\"><em>Image principale : Pexels \/ Erik Mclean<\/em><\/p>\n<div style=\"margin-top:32px;padding:20px 24px;background:rgba(117,178,169,0.04);border-radius:10px;border:1px solid rgba(117,178,169,0.15);\">\n<div style=\"font-size:11px;text-transform:uppercase;letter-spacing:2px;color:#75B2A9;font-weight:700;margin-bottom:12px;\">&#127911; KAYTRANADA : indispensables<\/div>\n<div style=\"display:flex;flex-direction:column;gap:6px;\">\n<a href=\"https:\/\/open.spotify.com\/track\/3Fc7k96EGOGiJBMZUxbpq7\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">KAYTRANADA &#8211; LITE SPOTS<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><\/a><br \/>\n<a href=\"https:\/\/open.spotify.com\/track\/0nDPyePvAOVu3SYIWx95I9\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">KAYTRANADA &#8211; DO IT<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><\/a><br \/>\n<a href=\"https:\/\/open.spotify.com\/track\/4O9t8Qq941SAzdGlex4noA\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">KAYTRANADA &#8211; What You Need (feat. Charlotte Day Wilson)<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><\/a><br \/>\n<a href=\"https:\/\/open.spotify.com\/track\/2sUImfbz5cpAW50SiQla4h\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">KAYTRAMIN\u00c9 &#8211; 4EVA (feat. Pharrell)<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><\/a>\n<\/div>\n<\/div>\n<div style=\"border-top:2px solid rgba(117,178,169,0.3);padding-top:24px;margin-top:36px;\">\n<div style=\"display:flex;gap:14px;align-items:center;margin-bottom:20px;\">\n<img decoding=\"async\" src=\"https:\/\/www.inspiredbybeatz.com\/wp-content\/uploads\/2026\/03\/elias-kollboeck.jpg\" alt=\"Elias Kollb\u00f6ck\" style=\"width:48px;height:48px;border-radius:50%;object-fit:cover;border:2px solid #75B2A9;\"><\/p>\n<div><a href=\"\/fr\/author\/elias\/\" style=\"color:#fff;font-weight:700;font-size:14px;text-transform:uppercase;letter-spacing:1px;text-decoration:none;\">Elias Kollb\u00f6ck<\/a><br \/><a href=\"\/fr\/author\/elias\/\" style=\"color:#75B2A9;font-size:10px;text-transform:uppercase;letter-spacing:1.5px;font-weight:600;text-decoration:none;\">R\u00e9dacteur tech &rsaquo;&rsaquo;<\/a><\/div>\n<\/div>\n<div style=\"font-size:11px;text-transform:uppercase;letter-spacing:1.5px;color:#75B2A9;font-weight:600;margin-bottom:10px;\">Continuer la lecture<\/div>\n<p><a href=\"https:\/\/www.inspiredbybeatz.com\/fr\/peggy-gou-de-seoul-a-berlin-vers-la-ligue-mondiale\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">Peggy Gou : De S\u00e9oul \u00e0 Berlin, vers la ligue mondiale <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><br \/>\n<a href=\"https:\/\/www.inspiredbybeatz.com\/fr\/skrillex-lhomme-qui-a-redefini-la-basse\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">Skrillex : L&rsquo;homme qui a red\u00e9fini la basse <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><br \/>\n<a href=\"https:\/\/www.inspiredbybeatz.com\/fr\/musique-ia-2026-qui-a-encore-besoin-de-producteurs\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">Musique IA 2026 : Qui a encore besoin de producteurs ? <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><br \/>\n<a href=\"https:\/\/www.inspiredbysports.com\/fruehjahrs-fitness-sport-saison-2026\/\" target=\"_blank\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;\">Printemps 2026 : Comment bien d\u00e9marrer la saison sportive <span style=\"color:rgba(255,255,255,0.3);font-size:10px;\">IBS<\/span> <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><\/p>\n<p style=\"color:rgba(255,255,255,0.2);font-size:10px;margin-top:14px;text-align:center;\">IBS Publishing est une marque \u00e9ditoriale de <a href=\"https:\/\/evernine-media.com\/\" target=\"_blank\" rel=\"noopener\" style=\"color:rgba(117,178,169,0.5);text-decoration:none;\">evernine media<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&#9654; 5 min 1 s de lecture Vous avez tr\u00e8s probablement d\u00e9j\u00e0 entendu KAYTRANADA sans conna\u00eetre son nom. Ce producteur originaire de Montr\u00e9al a sign\u00e9 des beats qui ont r\u00e9sonn\u00e9 sur les albums de Beyonc\u00e9, dans les publicit\u00e9s Nike et&#8230;<\/p>\n","protected":false},"author":25,"featured_media":3337,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_yoast_wpseo_focuskw":"kaytranada beats","_yoast_wpseo_title":"KAYTRANADA: Le son \u00e9lectronique qui fait vibrer les clubs","_yoast_wpseo_metadesc":"","_yoast_wpseo_opengraph-image":"","_yoast_wpseo_opengraph-image-id":0,"_yoast_wpseo_twitter-image":"","_yoast_wpseo_twitter-image-id":0,"_evm_slot_owner":"","_wp_old_slug":[],"footnotes":""},"categories":[109,324],"tags":[],"class_list":["post-4643","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artist-of-the-month"],"wpml_language":"fr","wpml_translation_of":3339,"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>KAYTRANADA: Le son \u00e9lectronique qui fait vibrer les clubs<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.inspiredbybeatz.com\/fr\/kaytranada-larchitecte-discret-du-son-club\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"KAYTRANADA: Le son \u00e9lectronique qui fait vibrer les clubs\" \/>\n<meta property=\"og:description\" content=\"&#9654; 5 min 1 s de lecture Vous avez tr\u00e8s probablement d\u00e9j\u00e0 entendu KAYTRANADA sans conna\u00eetre son nom. 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