{"id":8897,"date":"2026-04-26T07:44:38","date_gmt":"2026-04-26T07:44:38","guid":{"rendered":"https:\/\/www.inspiredbybeatz.com\/industrie-musicale-q1-2026-umg-warner-sony-chiffres-apercu\/"},"modified":"2026-05-20T20:39:45","modified_gmt":"2026-05-20T20:39:45","slug":"industrie-musicale-q1-2026-umg-warner-sony-chiffres-apercu","status":"publish","type":"post","link":"https:\/\/www.inspiredbybeatz.com\/fr\/industrie-musicale-q1-2026-umg-warner-sony-chiffres-apercu\/","title":{"rendered":"Industrie musicale T1 2026 : Universal, Warner et Sony pr\u00e9sentent leurs chiffres"},"content":{"rendered":"<style>\n.postid-0 .content > .content_inner > .container,\n.postid-0 .content > .content_inner > .full_width {\n  background-color: #000000;\n}\n<\/style>\n[vc_row css_animation=&#8220;&#8220; row_type=&#8220;row&#8220; use_row_as_full_screen_section=&#8220;no&#8220; type=&#8220;full_width&#8220; angled_section=&#8220;no&#8220; text_align=&#8220;left&#8220; background_image_as_pattern=&#8220;without_pattern&#8220;][vc_column][vc_column_text]\n<p style=\"display:inline-block;background:#75B2A9;color:#000;padding:4px 14px;border-radius:20px;font-size:0.85em;font-weight:600;margin-bottom:18px;\">4:46 Temps de lecture<\/p>\n<p><strong>La saison des r\u00e9sultats des grands labels majeurs est en cours. Warner Music et Sony ont d\u00e9j\u00e0 pr\u00e9sent\u00e9 leurs chiffres trimestriels actuels, Universal Music Group fera son annonce le 5 mai. Le bilan avant la date limite de l&rsquo;UMG : la croissance du streaming se poursuit, mais la dynamique \u00e9volue.<\/strong><\/p>\n<p style=\"margin:8px 0 18px;color:rgba(255,255,255,0.5);font-size:0.85em;\"><em>26.04.2026<\/em><\/p>\n<p>&nbsp;<\/p>\n<div style=\"position:relative;margin:4px 0 24px;padding:24px 28px 20px;background:rgba(117,178,169,0.06);border-radius:12px;border:1px solid rgba(117,178,169,0.4);box-shadow:0 0 20px rgba(117,178,169,0.2), 0 0 40px rgba(117,178,169,0.1), inset 0 0 30px rgba(117,178,169,0.03);overflow:hidden;\">\n<h2 style=\"margin:0 0 16px 0;font-size:1.4em;color:#75B2A9;letter-spacing:1px;\">DROP<\/h2>\n<ul style=\"margin:0;padding:0 0 0 20px;list-style:none;\">\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span> Warner Music a annonc\u00e9 le 5 f\u00e9vrier un chiffre d&rsquo;affaires d&rsquo;environ 1,84 milliard de dollars pour le trimestre fiscal clos le 31 d\u00e9cembre 2025. Les abonnements de streaming de musique enregistr\u00e9e ont augment\u00e9 de 10,9 % selon l&rsquo;entreprise.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span> Sony Music a atteint pour la premi\u00e8re fois un chiffre d&rsquo;affaires trimestriel de plus de 3 milliards de dollars pour la musique enregistr\u00e9e et l&rsquo;\u00e9dition.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span> Universal Music Group pr\u00e9sentera ses chiffres pour le premier trimestre 2026 le 5 mai. Le groupe a r\u00e9alis\u00e9 un chiffre d&rsquo;affaires de 3,605 milliards d&rsquo;euros pour l&rsquo;ann\u00e9e 2025, en hausse de 4,8 % par rapport \u00e0 2024.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span> La croissance des abonnements de streaming reste le moteur. Le march\u00e9 physique se maintient, le vinyle a atteint un pic de croissance selon les rapports de l&rsquo;industrie.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span> Les hausses de prix chez Spotify, Apple Music et YouTube Music se refl\u00e8tent maintenant dans les revenus des labels &#8211; \u00e0 nombre d&rsquo;abonn\u00e9s \u00e9gal.<\/li>\n<\/ul>\n<\/div>\n<p>&nbsp;<\/p>\n<h2>Warner Music : croissance stable, chiffres cl\u00e9s<\/h2>\n<p>&nbsp;<\/p>\n<p>Warner Music Group a choisi le 5 f\u00e9vrier comme date de publication pour son premier trimestre fiscal 2026, correspondant au trimestre civil octobre-d\u00e9cembre 2025. Le chiffre d&rsquo;affaires a augment\u00e9 \u00e0 1,84 milliard de dollars. Le moteur de croissance est clairement identifi\u00e9 : les abonnements de streaming de musique enregistr\u00e9e ont augment\u00e9 de 10,9 % en comparaison annuelle. C&rsquo;est nettement sup\u00e9rieur au taux affich\u00e9 par WMG pour le trimestre pr\u00e9c\u00e9dent. Les hausses de prix des grandes plateformes de streaming de 2025 sont enti\u00e8rement prises en compte dans ce chiffre.<\/p>\n<p>Ce qui re\u00e7oit moins de publicit\u00e9 : la branche physique stagne. Le vinyle demeure pertinent pour les labels, mais la croissance est frein\u00e9e. Dans l&rsquo;\u00e9dition, WMG pr\u00e9sente une autre dynamique &#8211; les accords de synchronisation et les licences de catalogue sont l&rsquo;argent silencieux en arri\u00e8re-plan. L&rsquo;action a r\u00e9agi de mani\u00e8re mitig\u00e9e au rapport, les analystes ont \u00e9valu\u00e9 avec prudence les pr\u00e9visions pour les deux prochains trimestres.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-size:2.4em;font-weight:700;color:#75B2A9;text-align:center;margin:32px 0 8px;letter-spacing:-0.03em;\">+10,9 %<\/p>\n<p style=\"text-align:center;font-size:0.9em;color:rgba(255,255,255,0.5);margin:0 0 32px;\">Croissance des abonnements de streaming de musique enregistr\u00e9e chez Warner Music, premier trimestre fiscal 2026 en comparaison annuelle<\/p>\n<p>&nbsp;<\/p>\n<h2>Sony Music : 3 milliards en un trimestre<\/h2>\n<p>&nbsp;<\/p>\n<p>Le groupe Sony a livr\u00e9 ses r\u00e9sultats le m\u00eame jour. La division mondiale des droits musicaux (Recorded Music et Publishing) a r\u00e9alis\u00e9 pour la premi\u00e8re fois plus de 3 milliards de dollars en un seul trimestre \u2013 une valeur historique. Au sein des trois majors, Sony Music est le g\u00e9ant silencieux : pas de deals de catalogue spectaculaires ces derniers mois, pas de changements importants de PDG. En revanche, d\u00e9ploiement coh\u00e9rent de la pipeline de streaming.<\/p>\n<p>Il sera int\u00e9ressant de voir comment Sony communiquera sur la part de l&rsquo;\u00e9dition. L&rsquo;\u00e9dition est la discipline la plus rentable \u2013 chaque licence de synchronisation dans une s\u00e9rie Netflix, chaque tube dans une campagne publicitaire, chaque chanson reprise rapporte de l&rsquo;argent \u00e0 l&rsquo;\u00e9diteur. Le fait que cette division contribue si fortement modifie le narratif. La question classique \u00ab Qui vend le plus de musique ? \u00bb sera de plus en plus remplac\u00e9e en 2026 par \u00ab Qui encaisse le plus souvent ? \u00bb. Une \u00e9volution que les <a href=\"https:\/\/www.inspiredbybeatz.com\/fr\/bandcamp-friday-2026-artistes-independants-revenus\/\">artistes ind\u00e9pendants<\/a> connaissent d\u00e9j\u00e0 depuis longtemps \u2013 et que les majors commencent maintenant \u00e0 mettre \u00e0 l&rsquo;\u00e9chelle de mani\u00e8re massive.<\/p>\n<p>&nbsp;<\/p>\n<blockquote style=\"border-left:4px solid #75B2A9;margin:32px 0;padding:8px 24px;font-style:italic;font-size:1.1em;line-height:1.6;color:rgba(255,255,255,0.85);\">\n<p>\nL&rsquo;\u00e9dition et le catalogue sont aujourd&rsquo;hui les gains silencieux de l&rsquo;industrie musicale. La croissance du streaming fait la une, mais la marge est g\u00e9n\u00e9r\u00e9e par les droits qui ont \u00e9t\u00e9 \u00e9crits il y a 20 ans.<br \/>\n<cite style=\"display:block;margin-top:8px;font-size:0.75em;font-style:normal;color:rgba(255,255,255,0.5);\">&#8211; Sensiblement selon les commentaires actuels du march\u00e9 sur la saison des r\u00e9sultats des majors<\/cite><\/p>\n<\/blockquote>\n<p>&nbsp;<\/p>\n<h2>Universal Music : La date limite de l&rsquo;UMG fix\u00e9e au 5 mai<\/h2>\n<p>&nbsp;<\/p>\n<p>Universal Music Group annonce ses r\u00e9sultats pour le premier trimestre 2026 le 5 mai. Les attentes sont mod\u00e9r\u00e9es mais optimistes apr\u00e8s le rapport de l&rsquo;ann\u00e9e 2025. L&rsquo;UMG avait annonc\u00e9 un chiffre d&rsquo;affaires de 3,605 milliards d&rsquo;euros pour 2025 &#8211; soit une augmentation de 4,8 % par rapport \u00e0 2024 ou de 10,6 % en termes nominaux. La croissance du streaming pour l&rsquo;ann\u00e9e enti\u00e8re s&rsquo;est \u00e9tablie \u00e0 3,2 % (9,3 % en termes nominaux).<\/p>\n<p>Le chiffre que les analystes et les professionnels du secteur suivent de pr\u00e8s : \u00e0 quelle vitesse le segment des abonnements va-t-il cro\u00eetre au cours du premier trimestre 2026 ? Si l&rsquo;UMG atteint le niveau de WMG &#8211; une croissance de 10 % ou plus &#8211; cela prouverait que les hausses de prix des fournisseurs de streaming ont un impact structurel et non ponctuel. Si la croissance se situe en dessous de 5 %, la discussion sur la fin de l&rsquo;\u00e8re du streaming sera relanc\u00e9e. Entre les deux : la fourchette la plus r\u00e9aliste, avec une tendance claire \u00e0 la hausse.<\/p>\n<p>Ce qui int\u00e9resse le secteur, c&rsquo;est le taux de prise de l&rsquo;\u00e9dition : quelle part des 3,6 milliards d&rsquo;euros provient des enregistrements et quelle part de l&rsquo;\u00e9dition ? L&rsquo;accord avec Taylor Swift, la valeur strat\u00e9gique des achats de catalogue comme Queen ou Pink Floyd, le d\u00e9veloppement du business de la synchronisation &#8211; tout cela d\u00e9cidera si l&rsquo;UMG d\u00e9finira la prochaine phase de l&rsquo;industrie musicale ou la suivra. Le 5 mai fournira le premier point de donn\u00e9es concret.<\/p>\n<p>&nbsp;<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n[vc_row css_animation=&#8220;&#8220; row_type=&#8220;row&#8220; use_row_as_full_screen_section=&#8220;no&#8220; type=&#8220;full_width&#8220; angled_section=&#8220;no&#8220; text_align=&#8220;left&#8220; background_image_as_pattern=&#8220;without_pattern&#8220;][vc_column][vc_column_text]\n<div style=\"margin-top:40px;padding:28px 25px 8px;background:rgba(117,178,169,0.06);border-radius:12px;border:1px solid rgba(117,178,169,0.4);box-shadow:0 0 20px rgba(117,178,169,0.2), 0 0 40px rgba(117,178,169,0.1), inset 0 0 30px rgba(117,178,169,0.03);\">\n<div style=\"font-size:11px;text-transform:uppercase;letter-spacing:2px;color:#75B2A9;font-weight:700;margin:40px 0 12px;\">PLAYLIST<\/div>\n<div style=\"margin:12px 0 32px;padding:12px 18px;background:rgba(0,0,0,0.4);border-radius:10px;border:1px solid rgba(117,178,169,0.2);\">\n<div style=\"font-size:13px;color:#75B2A9;font-weight:600;margin-bottom:8px;font-style:italic;\">Top 4 des streams 2024 en 4 pistes<\/div>\n<div style=\"display:flex;flex-direction:column;gap:6px;\"><a href=\"https:\/\/open.spotify.com\/search\/bad%20bunny%20monaco\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">Bad Bunny &#8211; Monaco<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><\/a><a href=\"https:\/\/open.spotify.com\/search\/taylor%20swift%20cruel%20summer\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">Taylor Swift &#8211; Cruel Summer<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><\/a><a href=\"https:\/\/open.spotify.com\/search\/sza%20saturn\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">SZA &#8211; Saturn<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><\/a><a href=\"https:\/\/open.spotify.com\/search\/drake%20rich%20baby%20daddy\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">Drake &#8211; Rich Baby Daddy<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><\/a><\/div>\n<\/div>\n<div style=\"margin:32px 0;padding:24px 28px;background:rgba(0,0,0,0.4);border-radius:12px;border:1px solid rgba(117,178,169,0.2);\">\n<h2 style=\"margin:0 0 8px 0;font-size:1.3em;color:#75B2A9;letter-spacing:1px;\">QCM apr\u00e8s le spectacle<\/h2>\n<p style=\"margin:0 0 16px;font-size:0.85em;color:rgba(255,255,255,0.4);\">Cliquez sur une question pour afficher la r\u00e9ponse.<\/p>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\"><span>Quand UMG publiera-t-il les chiffres du premier trimestre 2026 ?<\/span><\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">Le 5 mai 2026. Universal Music Group suit ainsi Warner et Sony, qui ont d\u00e9j\u00e0 annonc\u00e9 leurs chiffres pour le premier trimestre (trimestre civil d&rsquo;octobre \u00e0 d\u00e9cembre 2025) le 5 f\u00e9vrier. UMG utilise l&rsquo;ann\u00e9e civile comme exercice comptable.<\/div>\n<\/details>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\"><span>Pourquoi les revenus du streaming augmentent-ils malgr\u00e9 un nombre d&rsquo;abonn\u00e9s stable ?<\/span><\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">Spotify, Apple Music et YouTube Music ont augment\u00e9 leurs prix en 2025. Les valeurs ARPU (revenu moyen par utilisateur) plus \u00e9lev\u00e9es se r\u00e9percutent avec retard sur les d\u00e9comptes des labels. Warner Music annonce une augmentation de 10,9 % des abonnements de streaming de musique enregistr\u00e9e pour le trimestre actuel, malgr\u00e9 une croissance mod\u00e9r\u00e9e des abonnements.<\/div>\n<\/details>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\"><span>Le vinyle est-il encore pertinent pour les labels ?<\/span><\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">Oui, mais la croissance \u00e0 deux chiffres des ann\u00e9es pr\u00e9c\u00e9dentes est termin\u00e9e. Le vinyle reste un g\u00e9n\u00e9rateur de revenus stable, principalement pour les catalogues et les \u00e9ditions de luxe, mais ne constitue plus l&rsquo;histoire de croissance des rapports des majors. L&rsquo;accent est d\u00e9sormais mis sur le streaming et la publication.<\/div>\n<\/details>\n<details style=\"margin:0;padding:0;background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\"><span>Qu&rsquo;est-ce que cela signifie pour les artistes ind\u00e9pendants ?<\/span><\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">Les paiements pro-streaming augmentent l\u00e9g\u00e8rement parce que le pool de distribution augmente. Le d\u00e9savantage structurel persiste : le pool est r\u00e9parti au prorata, en fonction de la part de march\u00e9. Tant que les majors d\u00e9tiennent 70 % du march\u00e9, les ind\u00e9pendants ne verront les augmentations de prix que dans une mesure hom\u00e9opathique.<\/div>\n<\/details>\n<\/div>\n<style>\ndetails summary::-webkit-details-marker,details summary::marker{display:none !important;content:\"\" !important;}\ndetails summary{display:flex !important;align-items:center !important;justify-content:space-between !important;width:100% !important;text-align:left !important;gap:12px !important;} details summary > *:first-child{flex:1;} details summary::after{content:\"+\";flex-shrink:0;width:24px;height:24px;min-width:24px;border-radius:50%;background:#75B2A9;color:#000;display:inline-flex !important;align-items:center;justify-content:center;font-size:16px;font-weight:700;margin-left:auto;transition:transform 0.3s;box-shadow:0 0 10px rgba(117,178,169,0.5);}\ndetails[open] summary::after{transform:rotate(45deg);}\ndetails summary:hover{color:#75B2A9 !important;}\ndetails[open]>summary{color:#75B2A9 !important;}\n<\/style>\n[\/vc_column_text][\/vc_column][\/vc_row]\n[vc_row css_animation=&#8220;&#8220; row_type=&#8220;row&#8220; use_row_as_full_screen_section=&#8220;no&#8220; type=&#8220;full_width&#8220; angled_section=&#8220;no&#8220; text_align=&#8220;left&#8220; background_image_as_pattern=&#8220;without_pattern&#8220;][vc_column][vc_column_text]\n<div style=\"border-top:2px solid rgba(117,178,169,0.3);padding-top:24px;margin-top:36px;\">\n<div style=\"display:flex;gap:14px;align-items:center;margin-bottom:20px;\"><img decoding=\"async\" src=\"https:\/\/www.cloudmagazin.com\/wp-content\/uploads\/2026\/03\/alec-chizhik.jpg\" alt=\"Alec Chizhik\" style=\"width:48px;height:48px;border-radius:50%;object-fit:cover;border:2px solid #75B2A9;\"><\/p>\n<div style=\"color:rgba(255,255,255,0.95);\">\nAlec Chizhik<br \/>\nDirecteur num\u00e9rique, Evernine &rsaquo;&rsaquo;\n<\/div>\n<\/div>\n<div style=\"font-size:11px;text-transform:uppercase;letter-spacing:1.5px;color:#75B2A9;font-weight:600;margin-bottom:10px;\">Lire la suite<\/div>\n<p><a href=\"https:\/\/web.archive.org\/web\/*\/https:\/\/www.inspiredbybeatz.com\/fred-again-2026-post-electronic-sound-mainstream-2\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">Fred again.. 2026 : Pourquoi le son post-\u00e9lectronique devient maintenant un ph\u00e9nom\u00e8ne de masse <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><a href=\"https:\/\/www.inspiredbybeatz.com\/fr\/shure-se-series-les-ecouteurs-intra-auriculaires-pour-musiciens-a-moins-de-400\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">Shure SE-Serie Hands-On : Les \u00e9couteurs intra-auraux pour musiciens \u00e0 moins de 400 euros <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><a href=\"https:\/\/www.inspiredbybeatz.com\/fr\/presses-vinyles-europe-2026-capacite-au-maximum-labels-en-reorganisation\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">Presses \u00e0 vinyle en Europe 2026 : Pourquoi la capacit\u00e9 atteint ses limites et les labels doivent repenser leur strat\u00e9gie <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><a href=\"https:\/\/www.inspiredbybeatz.com\/fr\/aespa-annonce-son-deuxieme-album-studio-lemonade-et-la-tournee-synk-2026-27\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">aespa annonce son deuxi\u00e8me album studio LEMONADE et la tourn\u00e9e mondiale SYNK 2026-27 <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><a href=\"https:\/\/www.inspiredbybeatz.com\/fr\/leconomie-du-streaming-en-2026-comment-spotify-apple-music-et-amazon-music\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">\u00c9conomie du streaming 2026 : Ce que Spotify et Apple vont changer <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><\/div>\n[\/vc_column_text][\/vc_column][\/vc_row]\n[vc_row css_animation=&#8220;&#8220; row_type=&#8220;row&#8220; use_row_as_full_screen_section=&#8220;no&#8220; type=&#8220;full_width&#8220; angled_section=&#8220;no&#8220; text_align=&#8220;left&#8220; background_image_as_pattern=&#8220;without_pattern&#8220;][vc_column][vc_column_text]\n&nbsp;<\/p>\n<p style=\"text-align: right;\"><em>Image de titre : Pexels \/ Francesco Paggiaro<\/em><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row css_animation=&#8220;&#8220; row_type=&#8220;row&#8220; use_row_as_full_screen_section=&#8220;no&#8220; type=&#8220;full_width&#8220; angled_section=&#8220;no&#8220; text_align=&#8220;left&#8220; background_image_as_pattern=&#8220;without_pattern&#8220;][vc_column][vc_column_text] 4:46 Temps de lecture La saison des r\u00e9sultats des grands labels majeurs est en cours. Warner Music et Sony ont d\u00e9j\u00e0 pr\u00e9sent\u00e9 leurs chiffres trimestriels actuels, Universal Music Group fera son annonce&#8230;<\/p>\n","protected":false},"author":6,"featured_media":9279,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_yoast_wpseo_focuskw":"","_yoast_wpseo_title":"Industrie musicale T1 2026 : Universal, Warner et Sony pr\u00e9sentent leurs chiffres","_yoast_wpseo_metadesc":"Warner Music +10,9% de croissance du streaming, Sony d\u00e9passe pour la premi\u00e8re fois les 3 milliards de chiffre d'affaires trimestriel, UMG annonce le 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