{"id":9352,"date":"2026-05-05T09:43:43","date_gmt":"2026-05-05T09:43:43","guid":{"rendered":"https:\/\/www.inspiredbybeatz.com\/apercu-du-marche-musical-t2-2026-ce-que-les-chiffres-bvmi-2025-devoilent-sur-la\/"},"modified":"2026-06-06T11:40:34","modified_gmt":"2026-06-06T11:40:34","slug":"apercu-du-marche-musical-t2-2026-ce-que-les-chiffres-bvmi-2025-devoilent-sur-la","status":"publish","type":"post","link":"https:\/\/www.inspiredbybeatz.com\/fr\/apercu-du-marche-musical-t2-2026-ce-que-les-chiffres-bvmi-2025-devoilent-sur-la\/","title":{"rendered":"March\u00e9 musical 2026 : ce que les chiffres BVMI disent de la Gen Z"},"content":{"rendered":"<style>\n.postid-0 .content > .content_inner > .container,\n.postid-0 .content > .content_inner > .full_width {\n  background-color: #000000;\n}\n<\/style>\n<style>.postid-PLACEHOLDER .content > .content_inner > .container,.postid-PLACEHOLDER .content > .content_inner > .full_width {background-color: #000000;}<\/style>\n[vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n<p style=\"display:inline-block;background:#75B2A9;color:#000;padding:4px 14px;border-radius:20px;font-size:0.85em;font-weight:600;margin-bottom:18px;\">5:07 temps de lecture<\/p>\n<p><strong>Le Bundesverband Musikindustrie ne publie pas de chiffres du premier trimestre. Seul le bilan annuel en f\u00e9vrier\/mars et le rapport semestriel en juillet. Qui veut savoir comment se porte le march\u00e9 musical allemand en 2026 doit attendre jusqu\u2019en juillet \u2013 ou prendre au s\u00e9rieux les chiffres de 2025. Voici ce qu\u2019ils indiquent et ce qu\u2019ils laissent entrevoir pour le deuxi\u00e8me trimestre.<\/strong><\/p>\n<p style=\"margin:8px 0 18px;color:rgba(255,255,255,0.5);font-size:0.85em;\"><em>30.04.2026<\/em><\/p>\n<p>&nbsp;<\/p>\n<div style=\"position:relative;margin:4px 0 24px;padding:24px 28px 20px;background:rgba(117,178,169,0.06);border-radius:12px;border:1px solid rgba(117,178,169,0.4);box-shadow:0 0 20px rgba(117,178,169,0.2), 0 0 40px rgba(117,178,169,0.1), inset 0 0 30px rgba(117,178,169,0.03);overflow:hidden;\">\n<h2 style=\"margin:0 0 16px 0;font-size:1.4em;color:#75B2A9;letter-spacing:1px;\">DROP<\/h2>\n<ul style=\"margin:0;padding:0 0 0 20px;list-style:none;\">\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span> Chiffre d\u2019affaires annuel du BVMI 2025\u202f: 2,42\u202fmilliards d\u2019euros, +2,3\u202f% par rapport \u00e0 2024. Le streaming repr\u00e9sente 84,4\u202f%.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span> La croissance du streaming a \u00e9t\u00e9 divis\u00e9e par deux en 2025, \u00e0 4,1\u202f%. Les augmentations \u00e0 deux chiffres des ann\u00e9es pr\u00e9c\u00e9dentes sont termin\u00e9es.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span> Le vinyle progresse en 2025 de 2,8\u202f% pour atteindre 44,2\u202f% du march\u00e9 physique. Le segment CD recule de 11,3\u202f%.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);border-bottom:1px solid rgba(117,178,169,0.12);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span> Le ratio Physique\/Digital est de 14,2\u202f% \u00e0 85,8\u202f%. L\u2019Allemagne reste le quatri\u00e8me plus grand march\u00e9 musical mondial.<\/li>\n<li style=\"position:relative;padding:6px 0 6px 8px;line-height:1.6;color:rgba(255,255,255,0.85);\"><span style=\"position:absolute;left:-16px;color:#75B2A9;font-weight:700;\">&#x25B8;<\/span> Chiffre d\u2019affaires musical mondial 2025 selon l\u2019IFPI\u202f: 31,7\u202fmilliards de dollars, +6,4\u202f% \u2013 l\u2019Allemagne se situe en dessous de la tendance globale.<\/li>\n<\/ul>\n<\/div>\n<p>&nbsp;<\/p>\n<h2>Pourquoi il n\u2019existe pas de chiffres du T1 et ce que juillet apportera<\/h2>\n<p>&nbsp;<br \/>\nLe BVMI publie le rapport annuel fin f\u00e9vrier ou d\u00e9but mars, le rapport semestriel en juillet. Aucun chiffre trimestriel n\u2019est pr\u00e9vu \u2013 c\u2019est le silence r\u00e9dactionnel entre mars et juillet. Qui veut mesurer le pouls du march\u00e9 entre\u2011temps doit combiner les rapports des plateformes de streaming (Spotify Wrapped, IFPI Global Music Report), les signaux du commerce (ventes du Record Store Day) et le suivi des billets (tendances des festivals).<br \/>\n&nbsp;<br \/>\nFin avril 2026, nous disposons donc\u202f: des chiffres officiels de 2025 depuis environ deux mois et d\u2019une vision du T1 2026 uniquement \u00e0 travers des indicateurs indirects. Le rapport de juillet fournira les premi\u00e8res affirmations concr\u00e8tes sur la poursuite ou l\u2019arr\u00eat de la croissance du streaming et sur la continuit\u00e9 du regain du vinyle en 2025.<\/p>\n<p>&nbsp;<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n<h2>Ce que les chiffres de 2025 disent r\u00e9ellement<\/h2>\n<p>&nbsp;<\/p>\n<p style=\"font-size:2.4em;font-weight:700;color:#75B2A9;text-align:center;margin:32px 0 8px;letter-spacing:-0.03em;\">2,42 Mrd. \u20ac<\/p>\n<p style=\"text-align:center;font-size:0.9em;color:rgba(255,255,255,0.5);margin:0 0 32px;\">Chiffre d\u2019affaires de l\u2019industrie musicale allemande 2025 (rapport annuel BVMI)<\/p>\n<p>&nbsp;<br \/>\nC\u2019est une croissance, mais une croissance ralentie. En 2023, le march\u00e9 musical allemand a encore progress\u00e9 de 6,3\u202f%, en 2024 d\u2019environ 5\u202f%, et en 2025 seulement de 2,3\u202f%. La courbe s\u2019aplatit. Le principal moteur reste le streaming, mais m\u00eame le streaming freine\u202f: +4,1\u202f% de croissance apr\u00e8s des hausses \u00e0 deux chiffres les ann\u00e9es pr\u00e9c\u00e9dentes.<br \/>\n&nbsp;<br \/>\nL\u2019histoire v\u00e9ritable porte sur le march\u00e9 physique. Les CD reculent de 11,3\u202f% \u2013 une chute nette. Le vinyle augmente de 2,8\u202f% et repr\u00e9sente 44,2\u202f% du segment physique. En chiffres absolus, cela signifie que le vinyle est en Allemagne presque aussi fort que le CD. Il y a cinq ans, c\u2019\u00e9tait impensable. En 2025, le vinyle n\u2019est plus un produit r\u00e9tro, mais un levier de chiffre d\u2019affaires stable. <\/p>\n<p>&nbsp;<\/p>\n<h2>Gen\u202fZ et la math\u00e9matique du vinyle<\/h2>\n<p>&nbsp;<br \/>\nL\u2019aspect int\u00e9ressant se situe sous la surface. Selon le IFPI Global Music Report\u202f2026, le chiffre d\u2019affaires du vinyle aux \u00c9tats\u2011Unis a d\u00e9pass\u00e9 le milliard de dollars \u2013 une croissance de 13,7\u202f%. Le moteur\u202f: la Gen\u202fZ. 36\u202f% des acheteurs de vinyle d\u00e9couvrent d\u2019abord la musique sur Spotify avant d\u2019acheter le disque physique. Ce comportement ne place pas le vinyle en opposition au streaming, mais \u00e0 c\u00f4t\u00e9 du streaming. <\/p>\n<p>&nbsp;<\/p>\n<blockquote style=\"border-left:4px solid #75B2A9;margin:32px 0;padding:12px 20px;font-style:italic;color:rgba(255,255,255,0.85);line-height:1.7;\"><p>\n\u00ab\u00a0Un album sur Spotify doit atteindre des millions de streams pour \u00e9galer la marge de 500 ventes de vinyle. Ce n\u2019est pas de la nostalgie \u2013 c\u2019est de l\u2019\u00e9conomie.\u00a0\u00bb<br \/>\n<cite style=\"display:block;margin-top:10px;font-size:0.85em;color:rgba(255,255,255,0.5);font-style:normal;\">&#8211; Observation de l\u2019industrie musicale allemande 2026<\/cite><\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p>Pour le deuxi\u00e8me trimestre 2026, cela signifie concr\u00e8tement\u202f: la tendance vinyle devrait se poursuivre. Le Record Store Day d\u2019avril\u202f2026 est g\u00e9n\u00e9ralement l\u2019un des jours de chiffre d\u2019affaires les plus forts de l\u2019ann\u00e9e et, selon les rapports des boutiques, plus de 350 pressages exclusifs ont \u00e9t\u00e9 propos\u00e9s en 2026. Les artistes ou labels qui ont saut\u00e9 dans le train du vinyle r\u00e9alisent au T2 le business de base pour le second semestre.<br \/>\n&nbsp;<br \/>\nLes CD, en revanche, sont dans une spirale descendante. \u201311,3\u202f% en 2025 et la courbe ne s\u2019inversera pas en 2026. Pour les labels, cela signifie\u202f: les CD restent pertinents comme pack pour les fans et les collectionneurs, mais ne constituent plus une colonne porteuse du cash\u2011flow. <\/p>\n<p>&nbsp;<\/p>\n<h2>Ce que les \u00e9diteurs peuvent retenir de la dynamique du march\u00e9<\/h2>\n<p>&nbsp;<br \/>\nDu point de vue des \u00e9diteurs \u2013 la perspective que nous adoptons chez InspiredByBeatz et les autres magazines EVM \u2013 le chiffre derri\u00e8re le chiffre est ce qui intrigue. Le streaming domine la consommation musicale, mais pas l\u2019intention d\u2019achat. Les personnes qui ach\u00e8tent du vinyle sont pr\u00eates \u00e0 payer. Celles qui se contentent de streamer ne mon\u00e9tisent les labels et les artistes que via les concerts, le merchandising et les collaborations. Cela explique pourquoi les festivals, tout en maintenant le m\u00eame volume de billets, <a href=\"https:\/\/www.inspiredbybeatz.com\/fr\/billets-de-festivals-a-plus-de-400-euros-a-quel-moment-la-limite-de-tolerance-es\/\">peuvent faire grimper les prix au\u2011del\u00e0 de 400\u202fEuro<\/a> \u2013 la cohorte pr\u00eate \u00e0 payer est l\u00e0.<br \/>\n&nbsp;<br \/>\nPour le T2 et le premier semestre 2026, cela signifie dans les pr\u00e9visions\u202f: le streaming continuera de cro\u00eetre lentement, le vinyle restera stable, les CD diminueront davantage et la v\u00e9ritable cr\u00e9ation de valeur dans l\u2019industrie musicale se d\u00e9placera des enregistrements vers les \u00e9v\u00e9nements live et l\u2019\u00e9conomie Direct\u2011to\u2011Fan. Le rapport de juillet montrera si cette hypoth\u00e8se tient. D\u2019ici l\u00e0\u202f: les chiffres de 2025 restent le meilleur aper\u00e7u que nous ayons de 2026.<br \/>\n&nbsp;<br \/>\nQui souhaite approfondir le levier du vinyle chez la g\u00e9n\u00e9ration Z trouvera dans notre analyse <a href=\"https:\/\/www.inspiredbybeatz.com\/fr\/le-vinyle-atteint-le-milliard\/\">pourquoi la g\u00e9n\u00e9ration Z sauve le format que leurs parents ont abandonn\u00e9<\/a> le socle culturel des chiffres.<\/p>\n<p>&nbsp;<\/p>\n<div style=\"margin-top:40px;padding:28px 25px 8px;background:rgba(117,178,169,0.06);border-radius:12px;border:1px solid rgba(117,178,169,0.4);box-shadow:0 0 20px rgba(117,178,169,0.2), 0 0 40px rgba(117,178,169,0.1), inset 0 0 30px rgba(117,178,169,0.03);\">\n<div style=\"font-size:11px;text-transform:uppercase;letter-spacing:2px;color:#75B2A9;font-weight:700;margin:40px 0 12px;\">PLAYLIST<\/div>\n<div style=\"margin:12px 0 32px;padding:12px 18px;background:rgba(0,0,0,0.4);border-radius:10px;border:1px solid rgba(117,178,169,0.2);\">\n<div style=\"font-size:13px;color:#75B2A9;font-weight:600;margin-bottom:8px;font-style:italic;\">T2 2026 en 4 titres<\/div>\n<div style=\"display:flex;flex-direction:column;gap:6px;\"><a href=\"https:\/\/open.spotify.com\/search\/aespa%20whiplash\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">aespa &#8211; Whiplash<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><\/a><a href=\"https:\/\/open.spotify.com\/search\/sabrina%20carpenter%20espresso\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">Sabrina Carpenter &#8211; Espresso<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><\/a><a href=\"https:\/\/open.spotify.com\/search\/tate%20mcrae%20sports%20car\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;border-bottom:1px solid rgba(117,178,169,0.06);text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">Tate McRae &#8211; Sports car<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><\/a><a href=\"https:\/\/open.spotify.com\/search\/olivia%20rodrigo%20obsessed\" target=\"_blank\" style=\"display:flex;justify-content:space-between;align-items:center;padding:8px 0;text-decoration:none;\"><span style=\"color:rgba(255,255,255,0.8);font-size:13px;font-weight:500;flex:1;text-align:left;\">Olivia Rodrigo &#8211; obsessed<\/span><span style=\"color:#1DB954;font-size:11px;font-weight:600;white-space:nowrap;min-width:70px;text-align:right;\">&#9654; Spotify<\/span><\/a><\/div>\n<\/div>\n<div style=\"margin:32px 0;padding:24px 28px;background:rgba(0,0,0,0.4);border-radius:12px;border:1px solid rgba(117,178,169,0.2);\"><\/div>\n<\/div>\n<h2 style=\"margin:0 0 8px 0;font-size:1.3em;color:#75B2A9;letter-spacing:1px;\">Questions\u2011R\u00e9ponses apr\u00e8s le spectacle<\/h2>\n<p style=\"margin:0 0 16px;font-size:0.85em;color:rgba(255,255,255,0.4);\">Cliquez sur une question pour d\u00e9rouler la r\u00e9ponse.<\/p>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\">\n    <span>Pourquoi n\u2019y a\u2011t\u2011il pas de chiffres BVMI du premier trimestre\u202f?<\/span><br \/>\n  <\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">\n    Le Bundesverband Musikindustrie ne publie, pour des raisons m\u00e9thodologiques, que des donn\u00e9es annuelles et semestrielles. Les rapports trimestriels ne sont pas pr\u00e9vus. Le prochain rapport officiel appara\u00eet g\u00e9n\u00e9ralement dans la seconde moiti\u00e9 de juillet sous forme de bilan du premier semestre.\n  <\/div>\n<\/details>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\">\n    <span>Une croissance du streaming inf\u00e9rieure \u00e0 5\u202f% signifie\u2011t\u2011elle que le march\u00e9 bascule\u202f?<\/span><br \/>\n  <\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">\n    Non. Cela indique que le march\u00e9 allemand du streaming\u2011abonnement est proche de la saturation. Avec une part de 84,4\u202f%, le streaming repr\u00e9sente le march\u00e9\u202f; toute croissance suppl\u00e9mentaire ne pourra provenir que d\u2019augmentations tarifaires, de niveaux Hi\u2011Fi ou de forfaits familiaux, et non plus de nouveaux abonn\u00e9s.\n  <\/div>\n<\/details>\n<details style=\"margin:0;padding:0;border-bottom:1px solid rgba(117,178,169,0.12);background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\">\n    <span>Pourquoi le vinyle augmente\u2011t\u2011il alors que le CD diminue\u202f?<\/span><br \/>\n  <\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">\n    Le vinyle poss\u00e8de une valeur culturelle que les CD n\u2019ont jamais eue. Les acheteurs de la g\u00e9n\u00e9ration Z consid\u00e8rent le vinyle comme un objet de collection, une d\u00e9claration de mode et une d\u00e9cision de consommation consciente. Les CD ont \u00e9t\u00e9 remplac\u00e9s fonctionnellement par le streaming\u202f; le vinyle, non.\n  <\/div>\n<\/details>\n<details style=\"margin:0;padding:0;background:transparent;\">\n<summary style=\"display:flex;align-items:center;justify-content:flex-start;gap:12px;padding:14px 4px;cursor:pointer;list-style:none;font-size:1.02em;font-weight:600;color:rgba(255,255,255,0.9);line-height:1.4;text-align:left;\">\n    <span>Qu\u2019est\u2011ce que je peux retenir de ces chiffres en tant que fan\u202f?<\/span><br \/>\n  <\/summary>\n<div style=\"padding:0 0 16px 0;color:rgba(255,255,255,0.65);line-height:1.7;font-size:0.94em;\">\n    Si vous souhaitez soutenir un artiste ou un label, une commande de vinyle compte plus que des millions de streams. La diff\u00e9rence de flux de tr\u00e9sorerie est brutale. Cela ne veut pas dire que vous ne devez pas streamer\u202f; mais qui a un artiste pr\u00e9f\u00e9r\u00e9 lui rendra davantage service en achetant un disque.\n  <\/div>\n<\/details>\n<style>\ndetails summary::-webkit-details-marker,details summary::marker{display:none !important;content:\"\" !important;}\ndetails summary{display:flex !important;align-items:center !important;justify-content:space-between !important;width:100% !important;text-align:left !important;gap:12px !important;}\ndetails summary > *:first-child{flex:1;}\ndetails summary::after{content:\"+\";flex-shrink:0;width:24px;height:24px;min-width:24px;border-radius:50%;background:#75B2A9;color:#000;display:inline-flex !important;align-items:center;justify-content:center;font-size:16px;font-weight:700;margin-left:auto;transition:transform 0.2s;}\ndetails[open] summary::after{content:\"\\2212\";transform:rotate(0deg);}\n<\/style>\n[\/vc_column_text][\/vc_column][\/vc_row]\n[vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n<div style=\"border-top:2px solid rgba(117,178,169,0.3);padding-top:24px;margin-top:36px;\">\n<div style=\"display:flex;gap:14px;align-items:center;margin-bottom:20px;\">\n    <img decoding=\"async\" src=\"https:\/\/www.cloudmagazin.com\/wp-content\/uploads\/2026\/03\/tobi-m-2-cut.png\" alt=\"Tobias Massow\" style=\"width:48px;height:48px;border-radius:50%;object-fit:cover;border:2px solid #75B2A9;\"><\/p>\n<div style=\"color:rgba(255,255,255,0.95);\">\n      Tobias Massow<br \/>\n      CEO Evernine Media GmbH, \u00e9diteur &rsaquo;&rsaquo;\n    <\/div><\/div>\n<div style=\"font-size:11px;text-transform:uppercase;letter-spacing:1.5px;color:#75B2A9;font-weight:600;margin-bottom:10px;\">\u00c0 lire aussi<\/div>\n<p>  <a href=\"https:\/\/www.inspiredbybeatz.com\/fr\/photographie-de-festival-les-appareils-objectifs-et-techniques-qui-repondent\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">Festival\u2011photographie\u202f: appareils, objectifs et techniques qui livrent vraiment <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><br \/>\n  <a href=\"https:\/\/www.inspiredbybeatz.com\/fr\/shure-se-series-les-ecouteurs-intra-auriculaires-pour-musiciens-a-moins-de-400\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">S\u00e9rie Shure SE \u2013 test pratique\u202f: les in\u2011ear pour musiciens \u00e0 moins de 400\u202f\u20ac <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><br \/>\n  <a href=\"https:\/\/www.inspiredbybeatz.com\/fr\/presses-vinyles-europe-2026-capacite-au-maximum-labels-en-reorganisation\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">Usines de pressage vinyle en Europe 2026\u202f: pourquoi la capacit\u00e9 atteint ses limites et les labels r\u00e9organisent <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><br \/>\n  <a href=\"https:\/\/www.inspiredbybeatz.com\/fr\/aespa-annonce-son-deuxieme-album-studio-lemonade-et-la-tournee-synk-2026-27\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">aespa annoncent le deuxi\u00e8me album studio LEMONADE et la tourn\u00e9e mondiale SYNK 2026\u201127 <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a><br \/>\n  <a href=\"https:\/\/www.inspiredbybeatz.com\/fr\/leconomie-du-streaming-en-2026-comment-spotify-apple-music-et-amazon-music\/\" style=\"display:block;padding:6px 0;color:rgba(255,255,255,0.75);text-decoration:none;font-size:13px;line-height:1.3;border-bottom:1px solid rgba(117,178,169,0.06);\">\u00c9conomie du streaming 2026\u202f: ce que Spotify et Apple changent <span style=\"color:#75B2A9;\">&#8594;<\/span><\/a>\n<\/div>\n[\/vc_column_text][\/vc_column][\/vc_row]\n[vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n&nbsp;<\/p>\n<p style=\"text-align: right;\"><em>Source image de couverture\u202f: Pexels \/ Francesco Paggiaro<\/em><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text] 5:07 temps de lecture Le Bundesverband Musikindustrie ne publie pas de chiffres du premier trimestre. Seul le bilan annuel en f\u00e9vrier\/mars et le rapport semestriel en juillet. Qui veut savoir comment se&#8230;<\/p>\n","protected":false},"author":10,"featured_media":9322,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_yoast_wpseo_focuskw":"Pr\u00e9vision du march\u00e9 musical Q2 Chiffres annuels BVMI","_yoast_wpseo_title":"March\u00e9 musical 2026 : ce que les chiffres BVMI disent de la Gen Z","_yoast_wpseo_metadesc":"Analyse des tendances chez la G\u00e9n\u00e9ration Z et sur le march\u00e9 allemand de la musique \u00e0 partir des chiffres annuels BVMI 2025.","_yoast_wpseo_opengraph-image":"","_yoast_wpseo_opengraph-image-id":0,"_yoast_wpseo_twitter-image":"","_yoast_wpseo_twitter-image-id":0,"_evm_slot_owner":"","_wp_old_slug":[],"footnotes":""},"categories":[7,328],"tags":[],"class_list":["post-9352","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"wpml_language":"fr","wpml_translation_of":9323,"yoast_head":"<!-- This site is optimized with the 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